Nope (film)
Nope | |
---|---|
Directed by | Jordan Peele |
Written by | Jordan Peele |
Produced by |
|
Starring | |
Cinematography | Hoyte van Hoytema |
Edited by | Nicholas Monsour |
Music by | Michael Abels |
Production companies | |
Distributed by | Universal Pictures |
Release dates |
|
Running time | 130 minutes[1] |
Country | United States |
Language | English |
Budget | $68 million[2] |
Box office | $172.3 million[3][4] |
Nope (stylized in all caps) is a 2022 American Western science fiction horror film written, directed, and produced by Jordan Peele, under his and Ian Cooper's Monkeypaw Productions banner. It stars Daniel Kaluuya and Keke Palmer as horse-wrangling siblings attempting to capture evidence of an unidentified flying object in Agua Dulce, California. Appearing in supporting roles are Steven Yeun, Michael Wincott, Brandon Perea, and Keith David.
Peele officially announced his then-untitled third directorial film in November 2020. He cited King Kong (1933), Jurassic Park (1993), Close Encounters of the Third Kind (1977), Jaws (1975), Signs (2002), and The Wizard of Oz (1939) as his main inspirations. Palmer and Kaluuya joined in February 2021. Yeun was cast the next month, and Peele revealed the title in July 2021. Filming began in June 2021 in northern Los Angeles County, and wrapped in November.
Nope premiered at the TCL Chinese Theatre in Los Angeles on July 18, 2022, and was theatrically released in the United States on July 22, 2022, by Universal Pictures. It grossed $172 million worldwide, and received praise for its ambition, performances, cinematography, themes, visual style, musical score, and Peele's direction. It was also named one of the top ten films of 2022 by the American Film Institute. Since its release, the film has been frequently cited as one of the best science fiction films of the 2020s and the 21st century.[5][6]
Plot[edit]
In Agua Dulce, California, the Haywood family trains and handles horses for film productions. One day at the Haywood ranch, small metallic objects violently fall from the sky. One of these objects, a nickel, ends up killing Otis Haywood Sr.
Six months later, his children, Emerald "Em" Haywood and a depressed Otis "OJ" Haywood Jr., are fired from a set after their horse, Lucky, reacts violently to its own reflection in a chrome ball utilized for visual effects. To raise money, OJ has been selling some of the Haywood horses to Ricky "Jupe" Park, who operates a Western theme park called Jupiter's Claim. Jupe exploits his past traumatic experience as a child actor on the set of a family sitcom that costarred a chimpanzee named Gordy. During filming of an episode, Gordy reacted violently to the sound of popping balloons and attacked at least two of his human co-stars, but ultimately left Jupe completely unharmed, before being fatally shot by police.
One night, the Haywoods notice their electricity fluctuating and their horses violently reacting to an unknown presence. They discover an unidentified flying object (UFO) that has been taking their horses and spitting out the inorganic matter, which OJ concludes to have caused their father's death. The siblings decide to document and sell evidence of the UFO's existence, and recruit electronics store employee Angel Torres to set up surveillance cameras. The UFO arrives and abducts a horse as well as devouring a metal training horse Em stole from Jupiter's Claim for use as a decoy.
The next day, Em attempts to recruit famed cinematographer Antlers Holst to help them record the UFO. Holst declines, telling Em that chasing wealth and fame is a "dream you will never wake up from." Angel then arrives and reveals that a cloud in the valley never moves; OJ suspects this is the UFO's hiding place before theorizing, based on the UFO's flight patterns, that it isn't a ship at all.
Jupe introduces a live show in Jupiter's Claim where he plans to use Lucky as bait to lure out the UFO. For months Jupe has been offering the UFO the Haywood's horses in secret to gain its trust before revealing it in a show. The UFO arrives earlier than expected - enraged and having been injured from trying to consume the metal horse - and devours Jupe and everyone in attendance for the show (including his family and staff), ultimately leaving only Lucky alive. OJ, attempting to retrieve Lucky, confirms his theory that the UFO is actually a territorial, predatory organism. After the creature showers the Haywood household with the detritus and regurgitated remains of the Jupiter’s Claim crowd, OJ realizes that it only attacks those who look directly at it. He devises a plan to record it. Em and Angel are hesitant until Em receives a call from Holst, who now agrees to help. OJ names the organism "Jean Jacket", after a horse that Em as a child was promised to train.
To circumvent Jean Jacket's effect of shutting down all electronics nearby, Holst brings a hand-cranked IMAX film camera. The group sets up a field of electrically-powered tube man props to deduce its location in the sky. However, a TMZ paparazzo trespasses onto the field and is thrown from his electric motorcycle when it shuts down near Jean Jacket, which devours him. Though Holst captures footage of Jean Jacket, his obsession with "the impossible shot" results in him being devoured alongside his camera, forcing the remaining three to flee. Angel survives an attack from Jean Jacket by being wrapped in a tarp and barbed wire, causing the creature to unfurl into a new, larger form.
OJ intentionally looks directly at Jean Jacket, allowing Em to use the motorcycle to rush to Jupiter's Claim. There, she untethers the park's large helium balloon mascot of Jupe, the large eyes of which attract Jean Jacket's ire. Jean Jacket attempts to feed on the balloon while Em uses an attraction's analog camera to photograph Jean Jacket as it feeds. Its attempt to eat the perceived threat results in the balloon exploding, destroying Jean Jacket. With the picture as proof of the creature's existence and reporters arriving nearby, Em sees an unharmed OJ and Lucky standing outside of Jupiter's Claim.
Cast[edit]
- Daniel Kaluuya as Otis "OJ" Haywood Jr., the son of Otis Haywood Sr., and the brother of Emerald.
- Keke Palmer as Emerald "Em" Haywood, the daughter of Otis Haywood Sr., and the sister of Otis Jr.[8]
- Steven Yeun as Ricky "Jupe" Park, a former child actor and owner/creator of the theme park "Jupiter's Claim"
- Jacob Kim as young Ricky "Jupe" Park, who plays Mikey Houston on Gordy's Home
- Michael Wincott as Antlers Holst, a renowned cinematographer
- Brandon Perea as Angel Torres, a tech salesman at Fry's Electronics
- Wrenn Schmidt as Amber Park, Jupe's wife
- Barbie Ferreira as Nessie, Angel's co-worker at Fry's
- Terry Notary as Gordy, a chimpanzee and star of the sitcom Gordy's Home
- Devon Graye as Ryder Muybridge, a paparazzo who rides an electric bike
- Donna Mills as Bonnie Clayton, a commercial actress
- Osgood Perkins as Fynn Bachman, a commercial director
- Eddie Jemison as Buster, a crew member on the commercial
- Keith David as Otis Haywood Sr., the owner of Haywood's Hollywood Horses Ranch
- Sophia Coto as Mary Jo Elliott, who plays Haley Houston on Gordy's Home
- Haley Babula as Mary Jo Elliott (adult)
- Jennifer Lafleur as Phyllis Mayberry, who plays Margaret Houston on Gordy's Home
- Andrew Patrick Ralston as Tom Bogan, who plays Brett Houston on Gordy's Home
Themes and interpretations[edit]
– Writer-director Jordan Peele
The film has been characterized as containing themes related to spectacle and exploitation.[9] GQ's Gerrick D. Kennedy wrote that Nope "is a movie about spectacle. More specifically, our addiction to spectacle [...] Nope is about holding a mirror up to all of us and our inability to look away from drama or peril."[10] Kennedy also states that "the erasure of black contributions" to the history of filmmaking plays a significant role in the film.[10] Writer-director Jordan Peele was partly inspired to write Nope by the COVID-19 lockdowns and the "endless cycle of grim, inescapable tragedy" in 2020.[10]
Richard Brody of The New Yorker considered Nope to be a film about exploitation and the cinematic history of exploitation in film; he wrote that he thought the premise of the film was "acknowledging and extending cinema's legacy while also redressing its omissions and misrepresentations of history."[11] Brody also noted that the film's action "pivots on the power and the nature of movie technology", and felt that the film critiqued computer-generated imagery (CGI) in its TV commercial production scene, writing, "Peele presents [CGI] as a dubious temptation and a form of dangerous power."[11] Brody interpreted the choice to have the space creatures target a black-owned horse farm as "a sardonic vision of the universality of racism".[11]
Los Angeles Times writer Jen Yamato noted that Steven Yeun's Ricky "Jupe" Park attempts to profit off Jean Jacket with his "Star Lasso Experience" show, falsely believing that, because he survived the Gordy incident, he shares a similar kinship with Jean Jacket.[9] Zosha Millman of Polygon argues that Jupe's belief that Gordy and Jean Jacket are well-intentioned, despite their capacity to be unpredictable and dangerous, contrasts with the life experience of Daniel Kaluuya's OJ, "who grew up around unruly animals that it was his job to tame. As a horse trainer, he knows that animals are worthy of our respect. But it's not part of a grand design, or born from a special relationship with the horse. It's an animal, and it could kill you—but it can be tamed and worked with, if you know what you're doing."[12] Discussing Jupe's fate, Michael Wincott's character, Antlers Holst, makes mention of Siegfried & Roy[13]—a duo known for training white lions and white tigers—the latter of whom was attacked and severely injured by one of his tigers. GameRevolution's Jason Faulkner further noted "Peele quoting Neon Genesis Evangelion's Angels as the principal inspiration for the film and the monster within", and of the true meaning of Jean Jacket's true form's resemblance to the biblical description of angels; he notes the verse from Nahum prefacing the film as indicative of Peele's thoughts on the Bible, and how if one "think[s] about the way [Jean Jacket] feeds and the concept of people ascending to heaven, [one can] connect the dots [that] Jean Jacket['s species has] been with humanity for a long time, and an attack from one of the creatures could [be] misinterpreted as something from the divine."[14]
When watching Gordy move about the wrecked set of Gordy's Home, Jupe notices one of his co-star's shoes inexplicably standing upright; as an adult, Jupe has the shoe on display in his room of Gordy's Home mementos.[9] Millman, along with Cooper Hood of Screen Rant, identify the mysteriously standing shoe as a possible example of a "bad miracle", a label which OJ uses when he and Keke Palmer's Emerald learn that they are seemingly dealing with a UFO.[12][15] Hood writes that the shoe standing up can be viewed as a "bad miracle" due to "the unexplainable nature of the phenomenon and how it happened during a tragedy. It plays into the movie's theme of turning tragic events into a spectacle, as Ricky is profiting off the collectible despite the trauma of its circumstances."[15] Yamato, however, questions if Jupe "merely imagine[d] the shoe standing impossibly in the air—and is he misremembering that just before being shot, Gordy turned to him in friendship?"[9] Yamato asserts that Jupe has disguised his trauma from the incident "under a veneer of capitalist hustle and humor", and characterizes Jupe's experience as a child actor as one in which he was "exploited and then spit out by the fame machine [...] and this sets him up to make the fatal mistake of underestimating a creature that's too dangerous to wrangle."[9] The scene itself would go on to be nominated for Best Scene at the 2022 St. Louis Gateway Film Critics Association Awards, and the shot from it of Gordy and young Jupe's fists appearing to come close to a fist bump was named by Adam Nayman of The Ringer as one of the best shots of 2022, comparing it positively to Michelangelo's The Creation of Adam and relating it to "the feeling to recoil from an outstretched hand, especially one powerful enough to rip you limb from limb."[16][17] The sequence was also named one of the best movie scenes of 2022 by Wes Greene of Slant Magazine.[18]
Production[edit]
Development[edit]
On October 1, 2019, Universal Pictures announced a five-year exclusive production partnership with Peele's Monkeypaw Productions.[19] Nope, then an untitled project, was announced on November 9, 2020, with Peele set to write, direct and produce.[20] He said, "I wrote it in a time when we were a little bit worried about the future of cinema. So the first thing I knew is I wanted to create a spectacle. I wanted to create something that the audience would have to come see."[21] Speaking to GQ, Peele stated, "So much of what this world was experiencing was this overload of spectacle, and kind of a low point of our addiction to spectacle." He added that he "wrote [the film] trapped inside, and so I knew I wanted to make something that was about the sky. I knew the world would want to be outside and at the same time, I knew we had this newfound fear from this trauma, from this time of what it meant to go outside. Can we go outside? So I slipped some of that stuff in."[10]
Peele publicly cited King Kong and Jurassic Park, movies about humanity's addiction to spectacle, along with Close Encounters of the Third Kind, Signs, and The Wizard of Oz as influences in his writing.[22][23] He later identified the Angels of Neon Genesis Evangelion as the principal inspiration for the film's premise and monster in the film's production notes, impressed by the "hyper minimalism" and "biomechanical design flair" of Sahaquiel, the 10th Angel.[24] He explained his decision to include a major focus on clouds in the film: "The beauty of the sky is enthralling—the first movies, in a way. Every now and then you'll see a cloud that sits alone and is too low, and it gives me this vertigo and this sense of Presence with a capital P. I can't describe it, but I knew if I could bottle that and put it into a horror movie, it might change the way people look at the sky."[22]
Peele originally wrote the character of Angel Torres as a "happy-go-lucky" geek-like character until Brandon Perea was cast as the character, who wanted to expand upon the character and portray him as more grounded.[25]
In February 2021, it was reported that Keke Palmer and Daniel Kaluuya had joined the cast, while Jesse Plemons turned down a role in favor of starring in Killers of the Flower Moon.[26][27][28] Peele wrote the script with Kaluuya in mind for the role of OJ Haywood.[29] Kaluuya was paid $4 million for his involvement.[30] In March, Steven Yeun was added to the cast.[31]
Filming[edit]
Principal photography took place from June 2021 to November 2021 in the Agua Dulce desert in northern Los Angeles County.[2] The production received an estimated $8,364,000 worth of tax credits to shoot in the state of California.[32] The film was shot on a budget of $68 million after tax incentives.[2] It was the first to employ trainees (in this case, six) from Universal Filmed Entertainment Group's California Below-the-Line Traineeship for individuals seeking careers behind the camera.[33][34] Nope was shot by cinematographer Hoyte van Hoytema using Kodak film, including 65mm film in IMAX, making it the first horror film in history to be shot in this format.[35][36] Two cameras were used for the nighttime scenes—one for infrared light with narrow bandwidth, and another that captured 70mm film. The overlaid images from these two were then added to the information captured from the film camera, creating the needed footage.[37] On July 22, 2021, Peele revealed the film's title and shared its first promotional release poster, and further castings were confirmed.[38][39] Peele chose Nope as the title because he wanted to acknowledge movie audiences and their expected reactions to the film.[40] He said he had considered calling the film Little Green Men to reference a theme in the film of humanity's "monetization of spectacle".[41] Filming also took place at the Burbank, California location of Fry's Electronics, which had closed along with all remaining Fry's locations several weeks before filming. The store was recreated in its operating state for filming.[42] Fry's co-founder Randy Fry and his wife, reporter Vicki Liviakis, were present during filming at the Burbank store; they also had a cameo appearance at the Star Lasso Experience scene, which they filmed in two days.[43]
The 1972 Western film Buck and the Preacher, starring Sidney Poitier, is featured throughout the film; Peele said it was "the first film that I know of that had Black cowboys represented in it. The myth that cowboys were just white guys running around, it's just not true, but we don't know that because of Hollywood and the romanticized view of a very brutalized era. The film, it shares a spirit."[22] For her introductory scene, which also opens the film's first trailer, Palmer shot 14 takes of Emerald's monologue about her and OJ's family's history, which initially was not in the script prior to principal photography. Peele described each take as "...very wildly different, uncuttably so. But just a tour de force, one of these things where you see somebody like, 'I'm going to make this choice this time and go for it.' There's improv in there."[44]
Creature design[edit]
"Jean Jacket" | |
---|---|
Nope race | |
First appearance | Nope (2022) |
Created by | Jordan Peele, John Dabiri, et al. |
Based on | Sand dollar (body), Cuttlefish (camouflage), Octopus (eye), Bird (gizzard), electric eels and ghost knifefish (bioelectricity), Jellyfish (peacocking) |
Genre | Monster movie |
In-universe information | |
Other name(s) | Occulonimbus edoequus |
Home world | Earth |
Distinctions | Appears as Flying saucer, Cloud when camouflaged; or Jellyfish when peacocking |
Caltech professor John O. Dabiri collaborated with Peele and his team on the design of the Jean Jacket monster's UFO form,[45] and in particular its final true "biblical angel" form, which was inspired by those of Neon Genesis Evangelion and invertebrate aquatic locomotion among sea creatures such as jellyfish, octopuses and squid, to imagine a hypothetical undiscovered previously extinct sky predator, realistically imagining "how could something like this hide in the clouds", with its ability to "generate electric field" taken from electric eels and ghost knifefish, allowing for electric propulsion ("Jean Jacket's fast flying without wings/sails").[46][47][48] Guillaume Rocheron of Moving Picture Company (MPC) also worked with Dabiri and Peele on the visual effects shots featuring Jean Jacket, utilizing both CGI and practical effects, the latter particularly involving the use of a helicopter to swirl the dust and dirt on the ground the way the creature does when consuming its victims in the film.[49] The film held its first test screenings just 12 weeks before its July 22 release, with the special effects still being worked on.[50]
The design for Jean Jacket's "biblical" form has also been compared to Orga, the "final form" of the Millennium alien species in the Godzilla 2000 movie, who are also living UFOs.[51]
Costumes[edit]
Costume designer Alex Bovaird employed a "method approach" to create the characters' wardrobes, using 1990s sitcoms, indie rock bands, and the 1985 film The Goonies as inspiration. To match the film's Californian setting, Bovaird, Peele and their teams decided to create a contrast between "super neon colors against the desert backdrop," and make the film's main characters "look like action heroes, but cool ones." For OJ and Emerald's outfits, Bovaird went against the clichés of how horse ranchers would dress and gave them casual clothes, an example being OJ's orange The Scorpion King crew hoodie, along with portraying Emerald as "tomboy-like" by having her wear clothing that she and OJ may have "left at the ranch." Bovaird saw the character of Angel Torres as "a bit of a cynical, angry guy" and some sort of "Latin-emo," but still "perky" due to his being a comic relief character, so he dressed him with a dark-colored palette that gets lighter as the film progresses, using band tees, cut-offs and Vans. Ricky "Jupe" Park's red cowboy suit that he wears in the Star Lasso Experience scene almost did not make the cut, for Bovaird was unsure if Peele wanted to go "bold". For the costume of Gordy, Bovaird and his team dressed human actor Terry Notary in a cardigan sweatshirt in the vein of the one Andy (Kerri Green) wore in The Goonies, with yellow and black stripes. Notary's actions were then transferred to the CGI chimpanzee created in post-production.[52]
Sound design[edit]
Sound designer Johnnie Burn said in an interview with IndieWire, "Jordan Peele is a director who really knows how to write for sound." He continued, "The early conversations were along the lines of 'We want to be super realistic.'...And for that, we were kind of resisting the urge to hear anything from the monster too early on, because we wanted it to be credible that this was a predator—and how could something so large be getting away with this if it was making a big noise? ... One of the main sounds we used was silence." Burn represented Jean Jacket's presence in the environment by stripping back layers, such as dialogue, wind, and the chirping of crickets. He additionally engineered wind soundscapes containing faint, obscured sounds, such as screams, to suggest Jean Jacket's movement through the air.[53] The soundtrack was mixed in Dolby Atmos.[53]
Music[edit]
The film's score was composed by Michael Abels, who had previously worked with Peele on Get Out (2017) and Us (2019). Abels described his score as having to meet the "threat level" described by Peele in the script and the ideas imposed by the film's quote "What's a bad miracle?"[54] He added, "The music needs to have both those senses together. Both a little bit of a sense of awe like we would have looking at the Grand Canyon, but then also the urge to run far away from the Grand Canyon because falling in would not be good. That's the dichotomy that's present in the film [...] you hear a sense of a little bit of awe and magic, and then there's sheer terror. But then there's also a sense of a real epic adventure towards the end and giant music that accompanies a giant, historic adventure."[54] Working with the film's sound designer Johnnie Burn, Abels felt that the use of silence played an important role in scoring the film, saying, "The tension between the negative space and the music is actually part of the music. Leaving room for the sound design, even when there's a cue playing, was an important part of the way I approached it. A lot of times in the scariest parts, especially in the earlier parts of this film, you're listening to what you hope you're not going to hear or what you thought you might have heard. The stillness allows you to freak out in that way."[54]
The soundtrack album was released by Back Lot Music on July 22, 2022, the same day as the film.[55] The score album also features a screwed version of Corey Hart's "Sunglasses at Night."[56] Additionally, the film features the songs "Walk On By" by Dionne Warwick,[57] "Strange Animal" by Lawrence Gowan,[58] "This Is the Lost Generation" by the Lost Generation, and "Exuma, the Obeah Man" by Exuma.[59]
Nope | |
---|---|
Soundtrack album by Michael Abels | |
Released | July 22, 2022 |
Genre | film soundtrack |
Length | 1:22:55 |
Label | Back Lot Music |
Producer | Michael Abels |
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
1. | "Haywood Ranch" | Michael Abels | Abels | 2:55 |
2. | "The Muybridge Clip" | Abels | Abels | 3:34 |
3. | "La Vie C'est Chouette" |
| Jodie Foster | 2:44 |
4. | "Jupiter's Claim" | Abels | Abels | 1:43 |
5. | "Brother Sister Walk" | Abels | Abels | 1:18 |
6. | "Walk On By" | Dionne Warwick | 2:54 | |
7. | "Growing Up Haywood" | Abels | Abels | 1:29 |
8. | "This Is the Lost Generation" |
| The Lost Generation | 3:34 |
9. | "Not Good" | Abels | Abels | 2:00 |
10. | "What's a Bad Miracle" | Abels | Abels | 1:32 |
11. | "The Oprah Shot" | Abels | Abels | 1:51 |
12. | "Ancient Aliens" | Abels | Abels | 2:08 |
13. | "Park Kids Prank Haywood" | Abels | Abels | 1:08 |
14. | "It's in the Cloud" | Abels | Abels | 2:37 |
15. | "Holy Sh*t It's Real" | Abels | Abels | 2:09 |
16. | "Progressive Anxiety" | Abels | Abels | 3:02 |
17. | "The Star Lasso Expeeerrriii..." | Abels | Abels | 0:35 |
18. | "Arena Attack" | Abels | Abels | 1:23 |
19. | "Sunglasses at Night" (Jean Jacket Mix) | Corey Hart | Hart | 4:38 |
20. | "Blood Rain" | Abels | Abels | 1:47 |
21. | "The Unaccounted For" | Abels | Abels | 2:36 |
22. | "Preparing the Trap" | Abels | Abels | 2:41 |
23. | "Purple People Eater" | Sheb Wooley |
| 1:35 |
24. | "Exuma, the Obeah Man" | Exuma | Exuma | 6:12 |
25. | "Man Down" | Abels | Abels | 6:02 |
26. | "WTF Is That" | Abels | Abels | 1:13 |
27. | "The Run (Urban Legends)" | Abels | Abels | 1:42 |
28. | "Abduction" | Abels | Abels | 1:58 |
29. | "Havoc" | Abels | Abels | 0:46 |
30. | "Em & Angel Fly" | Abels | Abels | 2:20 |
31. | "A Hero Falls" | Abels | Abels | 2:47 |
32. | "Pursuit" | Abels | Abels | 1:49 |
33. | "Winkin' Well" | Abels | Abels | 3:42 |
34. | "Nope" | Abels | Abels | 2:31 |
Total length: | 1:22:55 |
Marketing[edit]
The release of a teaser poster in July 2021 and first-look images in February 2022 were followed by a trailer on February 13, 2022.[60][61] The trailer, which featured the 1962 Regal Theater recording of Stevie Wonder's "Fingertips",[62][63] was praised by critics for simultaneously creating suspense and keeping the storyline under wraps; some reviewers began to speculate the film would be about extraterrestrial life.[62][64][65] Jeremy Mathai of /Film said it "immediately lit the internet on fire and sent fans scurrying for answers as to whether the main antagonist of the film could really be alien invaders from outer space or if Peele has yet another trick up his sleeve."[66] Jordan Hoffman from Vanity Fair said he enjoyed the song choice and an included static shot with scrolling text, which he compared to a similar shot in the trailer for Stanley Kubrick's The Shining.[62] The Verge's Charles Pulliam-Moore called it "one of the rare modern movies with this much hype around it to make it this close to its release date without the public knowing basically anything about it."[67] The trailer was also broadcast during Super Bowl LVI, and it earned 86 million views across social media websites during the 24 hours after it aired.[68]
A second poster showing a floating horse was released on March 1, 2022.[69][70] Bloody Disgusting's John Squires said it was "entirely possible that Nope isn't at all the movie it thus far appears to be, with the marketing throwing us off the scent."[71] Lex Briscuso from /Film said that "despite the fact that the new visual doesn't give us very many fresh clues, I'm just happy to see new content continue to pop up out of the blue".[72] On April 16, the NBA Playoffs cross-promoted the film with a clip starring NBA player Stephen Curry. Larry Fitzmaurice of BuzzFeed called it "terrifyingly funny".[73] On April 27, additional footage was shown to around 3,000 exhibition insiders at CinemaCon; Peele asked attendees to be discreet and not reveal any detail about the story.[74][75] This footage, depicting several characters saying a variation of the word "nope", was later aired as a 30-second television spot during the NBA Finals, confirming the existence of UFOs in the film.[76] Jeremy Methai of /Film called it "thrilling" and noted similarities to the filmography of Steven Spielberg while expressing his belief that "there's something much more going on underneath beyond the extremely easy answer of extraterrestrials terrorizing our helpless protagonists."[66] Four character posters were released on June 7, 2022, with a featurette released the next day.[77][78] The final trailer was released on June 9, 2022, featuring the Undisputed Truth's 1971 rendition of the Temptations' "Ball of Confusion". Reviewers noted its lighter tone and said it did a better job at explaining the premise.[79][80][81] Justin Carter of Gizmodo said it was reasonable to believe the trailer shared too much information, inadvertently robbing audiences from any potential mystery in the story.[82]
IMAX and Dolby posters were released by the end of June 2022.[83][84] On July 1, an interactive website for Jupiter's Claim, the fictional theme park Yeun's character owns in the film, was published; in addition to providing hints of the plot, it held weekly drawings with in-world prizes.[85] Valerie Ettenhofer of /Film compared a poster on the website for a fictional film titled Kid Sheriff to the poster for the 2003 comedy film Holes. She described the website as "wonderfully interactive, sort of like an old Flash game site, but it also gives some insight into what Nope might be about."[86] A real-world version of Jupiter's Claim was added permanently as a part of Universal Studios Hollywood's Studio Tour on July 22, making it the first Studio Tour attraction to open the same day the movie it replicates opens in theaters, the other addition to the attraction is the atmosphere such as the lights and tube men flicker off while the sound of the alien be heard and the actors starting to panic then begin to look up.[87][88] On July 24, 2022, Peele released the intro to Gordy's Home, the fictional sitcom depicted in the film, on his Twitter account.[89]
Release[edit]
Nope premiered at the TCL Chinese Theatre in Los Angeles on July 18, 2022.[90] It was released in theaters in the United States on July 22, 2022, by Universal Pictures, a date first revealed in November 2020.[91] The Alamo Drafthouse Cinema hosted an outdoor screening of the film at Sunset Ranch Hollywood on July 25, 2022.[92]
It screened at the Cinesphere in IMAX on September 12, 2022, during the Toronto International Film Festival as a special presentation in the main film slate with a pre-film Q&A session with Jordan Peele and Hoyte van Hoytema, despite being released to the public prior to the festival.[93][94] The film was released to VOD on August 26, 2022.[95] It was released on 4K UHD, Blu-ray, and DVD on October 25, 2022.[96] It was released to streaming on Peacock on November 18, 2022, as part of an 18 month deal where it will stream on Peacock for four months, before moving to Amazon Prime for the next ten months, before moving back to Peacock for the final four.
Reception[edit]
Box office[edit]
Nope grossed $123.3 million in the United States and Canada, and $48 million in other territories, for a worldwide total of $171.2 million.[3][4]
In the United States and Canada, Nope was projected to gross around $50 million from 3,785 theaters in its opening weekend.[2] It made $19.5 million on its opening day, including $6.4 million (down 14% from the $7.4 million earned by Peele's 2019 film Us) from Thursday night previews. It went on to debut to $44.4 million, topping the box office. It also posted the best opening weekend for an original film since Us.[97] While the film came in on the low-end of projections, Deadline Hollywood still deemed it a success, noting its opening was higher than Once Upon a Time in Hollywood ($41 million), another R-rated original film released in July 2019, as well as its Friday-to-Saturday gross not steeply declining, indicating possible legs at the box office. Deadline also reported that despite failing to meet Universal's $50 million opening threshold for a longer 31-day theatrical window before going to premium video on demand,[a] Universal would still honor the longer window for the film.[101] The film dropped 58% in its sophomore weekend to $18.6 million, finishing second behind newcomer DC League of Super-Pets.[102] It finished third and fifth the following two weekends, with $8.5 million and $5.3 million, respectively.[103][104] On August 9, 2022, during its third week, the film crossed the $100 million milestone in the United States and Canada, making it the first R-rated film to pass the milestone since Bad Boys for Life in January 2020. It also surpassed Universal's other horror film Halloween Kills ($92 million in the United States and Canada) to become the highest grossing R-rated film in the United States and Canada during the pandemic.
Critical response[edit]
On the review aggregator website Rotten Tomatoes, 83% of 455 critics' reviews are positive, with an average rating of 7.5/10. The website's consensus reads: "Admirable for its originality and ambition even when its reach exceeds its grasp, Nope adds Spielbergian spectacle to Jordan Peele's growing arsenal."[105] Metacritic, which uses a weighted average, assigned the film a score of 77 out of 100, based on 64 critics, indicating "generally favorable" reviews.[106] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, the same score as Us, while PostTrak reported 79% of filmgoers gave it a positive score.[101]
A. O. Scott of The New York Times praised the film's "impeccably managed suspense, sharp jokes and a beguiling, unnerving atmosphere of all-around weirdness", and noted that, "While this movie can fairly be described as Spielbergian, it turns on an emphatic and explicit debunking of Spielberg's most characteristic visual trope: the awe-struck upward gaze."[107] Richard Roeper of the Chicago Sun-Times gave the film a score of four out of four stars, calling it "an exhilarating piece of cinema filled with memorable characters", and "a classic example of a bold and original film that pays homage to a seemingly endless stream of great movies and yet is more than the sum of its parts."[108] Odie Henderson, writing for RogerEbert.com, gave the film three-and-a-half out of four stars, commending the film's sound mixing and calling it "definitely Peele's creepiest movie," and writing that Peele himself "remains a master of misdirection".[109]
David Sims of The Atlantic wrote that "Nope is tinged with the acidic satire that suffused [Peele's] previous two movies, as Peele examines why the easiest way to process horror these days is to turn it into breathtaking entertainment."[110] Likewise, Michael Shindler of The American Spectator singled out Holst as a "polite caricature" of Werner Herzog, highlighting how the latter contrasts favorably with the film's heroes, and noted that Peele "resists the temptation to warp the plot into a hackneyed morality play," instead playing "the story straight" in the vein of Paul Verhoeven's Starship Troopers.[111]
Chris Evangelista of /Film wrote that "Nope may not be Jordan Peele's best movie to date, but it is his most enjoyable. A true summer movie spectacle meant to be writ large across the screen, giving us thrills, chills, laughs, and that most precious of things: movie magic."[112] David Ehrlich of IndieWire praised the film, saying "It doesn't hurt that Peele's latest boasts some of the most inspired [movie monster] design since H. R. Giger left his mark on the genre, or that Kaluuya's eyes remain some of Hollywood's most special effects, as Nope gets almost as much mileage from their weariness as Get Out squeezed from their clarity. It's through them that Nope searches for a new way of seeing, returns the Haywoods to their rightful place in film history, and creates the rare Hollywood spectacle that doesn't leave us looking for more."[113] Screen Rant's Ben Kendrick called it "a love letter to filmmaking" and called Brandon Perea's portrayal of Angel Torres a "stand-out" among the supporting cast, while praising Kaluuya and Palmer's performances.[114]
Richard Lawson of Vanity Fair was mixed about the film, saying "As Nope swerves and reels, it often seems distracted by itself, unable to hold its focus on any one thing long enough for deeper meaning, or feeling, to coalesce."[115] Alonso Duralde of TheWrap wrote "This ultimately feels like four very promising movies mashed together, with spectacular highlights bumping into each other in a way that's ultimately lacking, even as they all demonstrate the prowess and bravado of the filmmaker."[116] Peter Bradshaw of The Guardian gave the film two out of five stars, writing, "There is something clotted and heavy about this film, with sadly not enough of the humour for which Peele justly became celebrated in his double-act days with Keegan-Michael Key."[117]
Legacy[edit]
In 2023, it ranked number 21 on IndieWire's list of films with "The Best Cinematography of the 21st Century," noting that the visuals gave the film "a unique sense of grandeur and mounting terror."[118] The site also listed it at number 8 on its list of the "55 Best Science Fiction Films of the 21st Century" and number 4 on its list of the "25 Scariest Alien Movies of All Time." Michael Abels' score also ranked number 2 on the site's list of the best film scores of 2022.[119][120][121] Comic Book Resources ranked it at number 10 on its list of the "10 Best Horror Movies of the 2020s (So Far)," writing that "There's no denying the genius-level storytelling that went into the making of Nope and its many layers that blend social satire with an overwhelming sense of dread and mystery. Nope is a mixture of the best parts of Alien and Jaws rolled into a movie that features one of the most unique creature features of the last twenty years. The fear of the unknown surrounding the creature and its unstoppable nature make for a wild ride in Nope that any horror fan will appreciate for its distinctive style."[122] The site also called Jean Jacket one of the "best movie monsters of the 21st century," noting the UFO creature's unpredictability and positively comparing it to the shark from Jaws. Far Out also listed the film as one of the "10 Best Sci-Fi Movies of the 21st Century," writing that it showcases Peele's "unrestrained imagination in all the best ways" and praised Jean Jacket's appearance as "one of, if not the most, imaginative and singular alien creature designs in cinema history."[123] MovieWeb ranked it as the "Best Alien Invasion Movie of the 21st Century (So Far)," writing that the "Cinematography, sound design, and creature design are among the reasons that make this one of the best alien films in recent cinema."[124]
Accolades[edit]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|---|
American Film Institute Awards | December 9, 2022 | Top 10 Films of the Year | Nope | Won | [125] |
Art Directors Guild Awards | February 18, 2023 | Excellence in Production Design for a Fantasy Film | Ruth De Jong | Nominated | [126] |
ASCAP Awards | May 15, 2023 | Film Score of the Year | Michael Abels | Won | [127] |
Austin Film Critics Association | January 10, 2023 | Best Supporting Actress | Keke Palmer | Nominated | [128] [129] |
Best Original Screenplay | Jordan Peele | Nominated | |||
Best Cinematography | Hoyte van Hoytema | Nominated | |||
Australian Film Critics Association Awards | March 10, 2023 | Best International Film (English Language) | Nope | Nominated | [130] |
BET Awards | June 25, 2023 | Best Movie | Nope | Nominated | [131] |
Best Actor | Daniel Kaluuya | Nominated | |||
Best Actress | Keke Palmer | Nominated[b] | |||
Black Reel Awards | February 6, 2023 | Outstanding Motion Picture | Jordan Peele and Ian Cooper | Nominated | [132] [133] |
Outstanding Director | Jordan Peele | Nominated | |||
Outstanding Actor | Daniel Kaluuya | Nominated | |||
Outstanding Supporting Actress | Keke Palmer | Nominated | |||
Outstanding Screenplay | Jordan Peele | Nominated | |||
Outstanding Score | Michael Abels | Nominated | |||
Outstanding Cinematography | Hoyte van Hoytema | Won | |||
Outstanding Production Design | Ruth de Jong | Nominated | |||
Chicago Film Critics Association | December 14, 2022 | Best Use of Visual Effects | Nope | Nominated | [134] [135] |
Critics' Choice Super Awards | March 16, 2023 | Best Science Fiction/Fantasy Movie | Nope | Nominated | [136] |
Best Actor in a Science Fiction/Fantasy Movie | Daniel Kaluuya | Nominated | |||
Best Actress in a Science Fiction/Fantasy Movie | Keke Palmer | Nominated | |||
Costume Designers Guild Awards | February 27, 2023 | Excellence in Contemporary Film | Alex Bovaird | Nominated | [137] |
Florida Film Critics Circle | December 22, 2022 | Best Score | Michael Abels | Runner-up | [138] |
Best Visual Effects | Nope | Runner-up | |||
Georgia Film Critics Association | January 13, 2023 | Best Picture | Nominated | [139] | |
Best Director | Jordan Peele | Nominated | |||
Best Supporting Actress | Keke Palmer | Nominated | |||
Best Original Screenplay | Jordan Peele | Nominated | |||
Best Cinematography | Hoyte van Hoytema | Nominated | |||
Best Original Score | Michael Abels | Nominated | |||
GLAAD Media Awards | March 30, 2023 | Outstanding Film – Wide Release | Nope | Nominated | [140] |
Golden Reel Awards | February 26, 2023 | Outstanding Achievement in Sound Editing – Feature Effects / Foley | Johnnie Burn, Simon Carroll, Brendan Feeney, Max Behrens, Ben Gulvin, Jeff Smith, Beresford Cookman, Natalia Lubowiecka, Ewa Mazurkiewicz, Jacek Wisniewski | Nominated | [141] [142] |
Golden Trailer Awards | October 6, 2022 | Best Horror | Nope (Buddha Jones) | Won | [143] [144] |
Best Horror TV Spot (for a Feature Film) | "Stampede" (Buddha Jones) | Won | |||
June 29, 2023 | Best Thriller | "Moment" (TRANSIT) | Nominated | [145] [146] | |
Best Original Score TV Spot (for a Feature Film) | "Choices" (TRANSIT) | Nominated | |||
Best Thriller TV Spot (for a Feature Film) | Won | ||||
Most Original TV Spot (for a Feature Film) | Nominated | ||||
ESPN NBA Playoffs "Nope" (Framework Studio) | Nominated | ||||
Best Digital – Horror / Thriller | "Breathe Review" (TRANSIT) | Nominated | |||
Best Horror / Thriller TrailerByte for a Feature Film | "Look Away" (Project X/AV) | Nominated | |||
Best BTS/EPK for a Feature Film (Over 2 minutes) | "Shadows" (SunnyBoy Entertainment) | Nominated | |||
Hollywood Critics Association Midseason Film Awards | July 1, 2022 | Most Anticipated Film | Nope | Won | [147] [148] |
Hollywood Critics Association Awards | February 24, 2023 | Best Horror Film | Nominated | [149] [150] | |
Best Supporting Actress | Keke Palmer | Nominated | |||
Hollywood Critics Association Creative Arts Awards | February 24, 2023 | Best Marketing Campaign | Nope | Nominated | [149] [150] |
Best Sound | Johnnie Burn and José Antonio Garcia | Nominated | |||
Hollywood Music in Media Awards | November 16, 2022 | Best Original Score in a Horror Film | Michael Abels | Won | [151] |
Houston Film Critics Society | February 18, 2023 | Best Cinematography | Hoyte van Hoytema | Nominated | [152] [153] |
Hugo Awards | October 18–22, 2023 | Best Dramatic Presentation, Long Form | Jordan Peele | Nominated | [154] |
ICG Publicists Awards | March 10, 2023 | Maxwell Weinberg Publicists Showmanship Motion Picture Award | Nope | Nominated | [155] [156] |
International Film Music Critics Association Awards | February 23, 2023 | Best Original Score for a Fantasy/Science Fiction/Horror Film | Michael Abels | Won | [157] [158] |
Los Angeles Film Critics Association | December 11, 2022 | Best Cinematography | Hoyte van Hoytema | Runner-up | [159] |
Make-Up Artists and Hair Stylists Guild | February 11, 2023 | Best Contemporary Make-Up in a Feature-Length Motion Picture | Shutchai Tym Buacharern, Jennifer Zide-Essex, Eleanor Sabaduquia, Kato De Stefan | Nominated | [160] |
MOBO Awards | November 30, 2022 | Best Performance in a TV Show/Film | Daniel Kaluuya | Nominated | [161] [162] |
MTV Movie & TV Awards | May 7, 2023 | Best Movie | Nope | Nominated | [163] |
Best Performance in a Movie | Keke Palmer | Nominated | |||
Best Comedic Performance | Nominated | ||||
NAACP Image Awards | February 25, 2023 | Outstanding Writing in a Motion Picture | Jordan Peele | Nominated | [164] |
Outstanding Actor in a Motion Picture | Daniel Kaluuya | Nominated | |||
National Society of Film Critics | January 7, 2023 | Best Cinematography | Hoyte van Hoytema | Runner-up | [165] |
New York Film Critics Circle Awards | December 2, 2022 | Best Supporting Actress | Keke Palmer | Won | [166] |
New York Film Critics Online | December 11, 2022 | Best Cinematography | Hoyte van Hoytema | Won | [167] |
Online Film Critics Society | January 23, 2023 | Best Picture | Nope | 5th place | [168] |
Best Original Screenplay | Jordan Peele | Nominated | |||
Best Cinematography | Hoyte van Hoytema | Nominated | |||
Best Visual Effects | Nope | Nominated | |||
People's Choice Awards | December 6, 2022 | The Movie of 2022 | Nominated | [169] | |
The Drama Movie of 2022 | Nominated | ||||
The Male Movie Star of 2022 | Daniel Kaluuya | Nominated | |||
The Drama Movie Star of 2022 | Nominated | ||||
Keke Palmer | Nominated | ||||
The Female Movie Star of 2022 | Nominated | ||||
Saturn Awards | October 25, 2022 | Best Science Fiction Film | Nope | Won | [170] [171] |
Best Actor | Daniel Kaluuya | Nominated | |||
Best Actress | Keke Palmer | Nominated | |||
Best Director | Jordan Peele | Nominated | |||
Best Writing | Nominated | ||||
Best Music | Michael Abels | Nominated | |||
Best Editing | Nicholas Monsour | Nominated | |||
Seattle Film Critics Society | January 17, 2023 | Best Picture | Nope | Nominated | [172] |
Best Actress in a Supporting Role | Keke Palmer | Nominated | |||
Best Cinematography | Hoyte van Hoytema | Nominated | |||
Best Original Score | Michael Abels | Nominated | |||
Best Visual Effects | Guillaume Rocheron, Jeremy Robert, Sreejith Venugopalan, Scott R. Fisher | Nominated | |||
Best Villain | Jean Jacket | Nominated | |||
St. Louis Gateway Film Critics Association | December 18, 2022 | Best Horror Film | Nope | Won | [173] |
Best Cinematography | Hoyte van Hoytema | Nominated | |||
Best Visual Effects | Guillaume Rocheron, Jeremy Robert, Sreejith Venugopalan and Scott R. Fisher | Nominated | |||
Best Scene | "A tragic day on the set of Gordy's Home" | Nominated | |||
Toronto Film Critics Association | January 8, 2023 | Best Supporting Actress | Keke Palmer | Won | [174] |
Washington D.C. Area Film Critics Association | December 12, 2022 | Best Original Screenplay | Jordan Peele | Nominated | [175] |
Best Cinematography | Hoyte van Hoytema | Nominated |
Possible sequels[edit]
Perea convinced Peele and the Universal executives to change his character's fate in the film's climax from being killed primarily out of interest in a potential sequel, saying: "There's no way the story's over in my head. There's no way. For how heroic everything kind of seemed at the end, I'm like there's no way they leave the heroes like this. This is just the start of something new."[176] In an interview with Thrillist, Jean Jacket designer John O. Dabiri suggested that the creature survived its apparent death at the film's conclusion, saying "There's a species of jellyfish that's called the immortal jellyfish [...] I'm not a movie maker. But if it was me, I would say there would be some interesting opportunity to ask whether we've seen the last of Jean Jacket."[46] In an interview with The New York Times, Peele addressed a character that was cut from the film, listed on IMDb as "Nobody", saying "The story of that character has yet to be told, I can tell you that. Which is another frustrating way of saying, I'm glad people are paying attention. I do think they will get more answers on some of these things in the future. We're not over telling all of these stories".[177]
In January 2023, Peele expressed interest in a Nope sequel featuring multiple members of the occulonimbus species ("Jean Jackets"), exploring "the nature of the occulonimbi", saying that "I didn't want to be sort of literal that Jean Jacket or this occulonimbus species is an angel, but I do think that there is something about where evolution and design collide that leaves doors open that may or may not be answered in the future".[178]
Notes[edit]
References[edit]
- ^ "Nope (15)". BBFC. August 28, 2022. Archived from the original on August 28, 2022. Retrieved August 28, 2022.
- ^ ab c d D'Alessandro, Anthony (July 19, 2022). "Jordan Peele's Nope Hopes To Rope $50M At Weekend Box Office". Deadline Hollywood. Archived from the original on July 19, 2022. Retrieved July 19, 2022.
- ^ ab "Nope (2022)". The Numbers. Nash Information Services, LLC. Retrieved May 14, 2023.
- ^ ab "Nope (2022)". Box Office Mojo. IMDb. Retrieved October 12, 2022.
- ^ "The 60 Best Sci-Fi Movies of the 21st Century, from 'Melancholia' and 'M3GAN' to 'Asteroid City'". October 19, 2023.
- ^ "The 10 best sci-fi movies of the 21st century". April 20, 2023.
- ^ Vadala, Nick (July 22, 2022). "Philadelphia's weird connection to Jordan Peele's 'Nope'". The Philadelphia Inquirer. Archived from the original on August 2, 2022. Retrieved August 10, 2022.
- ^ Rude, Mey (August 12, 2022). "Jordan Peele's Masterful Nope Gives Keke Palmer Her Best Stage Yet". Out. Archived from the original on November 8, 2022. Retrieved November 8, 2022.
- ^ ab c d e Yamato, Jen (July 23, 2022). "'Nope' explained: Gordy the chimpanzee and more clues to unpacking Jordan Peele's epic". Los Angeles Times. Archived from the original on July 27, 2022. Retrieved July 27, 2022.
- ^ ab c d Kennedy, Gerrick D. (July 20, 2022). "Jordan Peele and Keke Palmer Look to the Sky". GQ. Archived from the original on July 27, 2022. Retrieved July 27, 2022.
- ^ ab c Richard Brody (July 25, 2022). "'Nope' Is One of the Great Movies About Moviemaking". The New Yorker. Condé Nast. Archived from the original on September 3, 2022. Retrieved September 2, 2022.
- ^ ab Millman, Zosha (July 25, 2022). "Nope's Gordy segments (and that weird shoe) are packed with meaning". Polygon. Archived from the original on July 26, 2022. Retrieved July 27, 2022.
- ^ Gonzalez, Hector (July 22, 2022). "Review: Jordan Peele's 'Nope' is a Mesmerizing and Bewitching Spielbergian Sci-Fi/Horror Arrangement". TheMovieBuff.net. Archived from the original on July 29, 2022. Retrieved July 27, 2022.
- ^ Faulkner, Jason (July 27, 2022). "Is the UFO in Nope a Biblically Accurate Angel?". GameRevolution. Archived from the original on July 28, 2022. Retrieved July 27, 2022.
- ^ ab Hood, Cooper (July 22, 2022). "Why Was The Shoe Standing Up In Nope? What It Really Means". Screen Rant. Archived from the original on July 27, 2022. Retrieved July 27, 2022.
- ^ Nayman, Adam (December 19, 2022). "The Best Shots of 2022". The Ringer. Archived from the original on December 19, 2022. Retrieved December 19, 2022.
- ^ "Annual StLFCA Awards". St. Louis Gateway Film Critics Association. Archived from the original on December 20, 2017. Retrieved December 11, 2022.
- ^ "The Best Film Scenes of 2022". Slant. December 12, 2022. Archived from the original on April 6, 2023. Retrieved April 6, 2023.
- ^ D'Alessandro, Anthony (October 1, 2019). "Jordan Peele & His Monkeypaw Productions Ink Exclusive 5-Year Deal With Universal". Deadline Hollywood. Archived from the original on February 13, 2022. Retrieved February 13, 2022.
- ^ Galuppo, Mia (November 9, 2020). "Jordan Peele's Next Horror Film Set for 2022 Release". The Hollywood Reporter. Archived from the original on November 10, 2020. Retrieved February 16, 2021.
- ^ Zilko, Christian (June 23, 2022). "Jordan Peele Was Worried About the Future of Cinema, So He Wrote Nope as The Great American UFO Story". IndieWire. Archived from the original on July 19, 2022. Retrieved July 19, 2022.
- ^ ab c Coyle, Jake (July 18, 2022). "Q&A: Jordan Peele on the dreams and nightmares of Nope". Associated Press. Archived from the original on July 19, 2022. Retrieved July 19, 2022.
- ^ Ryan, Mike (July 18, 2022). "Jordan Peele On The Secrets Of Nope And His Love For Tremors". Uproxx. Archived from the original on July 19, 2022. Retrieved July 19, 2022.
- ^ Brady, Erin (July 25, 2022). "This Influential Anime Inspired the Final Design in Nope". /Film. Archived from the original on July 25, 2022. Retrieved July 25, 2022.
- ^ "Brandon Perea Is A Scene Stealer In Nope, So Now We Want Him In Everything". /Film. July 23, 2022. Archived from the original on July 25, 2022. Retrieved July 23, 2022.
- ^ Kroll, Justin (February 16, 2021). "Jordan Peele Taps Keke Palmer To Star in The Director's New Secret Project". Deadline Hollywood. Archived from the original on February 16, 2021. Retrieved February 16, 2021.
- ^ Kit, Borys (February 16, 2021). "Keke Palmer, Daniel Kaluuya to Star in Jordan Peele's New Movie". The Hollywood Reporter. Archived from the original on February 16, 2021. Retrieved February 16, 2021.
- ^ Kit, Borys (February 17, 2021). "Jesse Plemons to Star in Martin Scorsese's Killers of the Flower Moon". The Hollywood Reporter. Archived from the original on February 18, 2021. Retrieved April 1, 2021.
- ^ Travis, Ben (March 14, 2022). "Nope: Jordan Peele Promises An 'Otherworldly Confrontation' For Daniel Kaluuya – Exclusive Image". Empire. Archived from the original on March 17, 2022. Retrieved March 21, 2022.
- ^ Lang, Brent; Donnelly, Matt; Rubin, Rebecca (July 20, 2022). "Inside Movie Stars' Salaries: Joaquin Phoenix Nabs $20M for Joker 2, Tom Cruise Heads to Over $100M and More". Variety. Archived from the original on July 20, 2022. Retrieved October 7, 2023.
- ^ Kroll, Justin (April 1, 2021). "Following Oscar Nomination For Minari, Steven Yeun Eyes Jordan Peele's New Film At Universal". Deadline Hollywood. Archived from the original on April 1, 2021. Retrieved April 1, 2021.
- ^ Patten, Dominic (August 17, 2020). "California Tax Incentives: Chris Evans' Gray Man, Jessica Chastain's Losing Clementine & Untitled Jordan Peele Pic Clinch Big Bucks". Deadline Hollywood. Archived from the original on February 13, 2022. Retrieved February 13, 2022.
- ^ Grobar, Matt (February 2, 2022). "Jordan Peele's Nope Serves As Platform For Launch Of Universal Filmed Entertainment Group's California Below-The-Line Traineeship". Deadline Hollywood. Archived from the original on February 15, 2022. Retrieved February 13, 2022.
- ^ Sun, Rebecca (June 22, 2022). "Universal Releases Nope Featurette Showcasing Diverse Below-the-Line Crew". The Hollywood Reporter. Archived from the original on June 22, 2022. Retrieved June 23, 2022.
- ^ Song, Katle (November 30, 2021). "Cinematographer Hoyte van Hoytema Confirmed as Director of Photography for Jordan Peele's Nope – Film News in Brief". Variety. Archived from the original on November 30, 2021. Retrieved November 30, 2021.
- ^ Tangcay, Jazz (July 26, 2022). "Why Jordan Peele's 'Nope' Became the First Horror Movie Shot With Imax Cameras". Variety. Archived from the original on July 26, 2022. Retrieved July 26, 2022.
- ^ Chapman, Wilson; Earl, William (September 12, 2022). "Jordan Peele and Hoyte van Hoytema Reveal the Innovative 'Nope' Tech That Could Change the Film Industry — TIFF". Variety. Archived from the original on September 12, 2022. Retrieved October 15, 2022.
- ^ Evangelista, Chris (July 22, 2021). "Jordan Peele's Next Movie is Called Nope – Check Out the First Poster Now". /Film. Archived from the original on July 22, 2021. Retrieved July 22, 2021.
- ^ Rubin, Rebecca (July 22, 2021). "Jordan Peele's Next Movie Will Be Called Nope". Variety. Archived from the original on July 22, 2021. Retrieved July 22, 2021.
- ^ Tolsky, Andy (April 22, 2022). "Jordan Peele Explains Meaning Behind Nope Title". Screen Rant. Archived from the original on July 16, 2022. Retrieved July 16, 2022.
- ^ Mathai, Jeremy (July 15, 2022). "Jordan Peele Had An Intriguing Original Title For Nope". /Film. Archived from the original on July 15, 2022. Retrieved July 19, 2022.
- ^ "How Jordan Peele brought Fry's Electronics back to life in 'Nope'". July 27, 2022. Archived from the original on July 29, 2022. Retrieved July 29, 2022.
- ^ Bartlett, Amanda (July 29, 2022). "San Francisco news anchor, Fry's Electronics co-founder have surprise cameos in 'Nope'". SFGATE. Archived from the original on August 29, 2022. Retrieved August 29, 2022.
- ^ Erbland, Kate (July 19, 2022). "Nope Star Keke Palmer Shot Over a Dozen 'Wildly Different' Takes of Her Introductory Monologue". IndieWire. Archived from the original on July 19, 2022. Retrieved July 19, 2022.
- ^ Weekes, Princess (July 25, 2022). "What Does the Gordy Subplot Mean in Jordan Peel[e]'s 'Nope'?". The Mary Sue. Archived from the original on July 25, 2022. Retrieved July 25, 2022.
Gordy may have been a friendly chimp[anzee], but he was still an animal, who shouldn't have been on a soundstage with chaotic elements that could scare him. He got startled and reacted as his instincts told him to act. The murder of Jupe's family confirms to OJ that this flying saucer isn't a ship, but a predatory cryptid, one-winged-angel-style creature that acts when its dominance is tested when people look straight at it.
- ^ ab Stefansky, Emma (July 25, 2022). "Inside the Eerie UFO Design for Jordan Peele's 'Nope'". Thrillist. Archived from the original on July 25, 2022. Retrieved July 25, 2022.
- ^ Egan, Toussaint (July 25, 2022). "The inspirations behind the monster in Nope". Polygon. p. ]ublicly. Archived from the original on July 25, 2022. Retrieved July 25, 2022.
Over the course of the film, the UAP ["unidentified aerial phenomenon"] assumes several terrifying forms, which make it roughly something of a cross between a shark, a flying saucer, a manta ray, a flat humongous man-eating eyeball, and a "biblically accurate" angel, [with] Jean Jacket's appearance and design most closely resembl[ing] those of Sahaquiel, the 10th Angel, which appears in the 12th episode of the original 1995 anime, "A Miracle's Worth," and the second film in the Rebuild of Evangelion tetralogy, Evangelion[:] 2.0 You Can (Not) Advance, [with] Jordan Peele [ mak[ing] his fandom of the series clear on Twitter in the days leading up to the film's release.
- ^ Adlakha, Siddhant (July 20, 2022). "IGN: Nope Review". Polygon. Archived from the original on July 20, 2022. Retrieved July 20, 2022.
(the design of this apparent saucer is, initially, shocking in its simplicity, but by the end, you may as well call it "Biblically accurate").
- ^ James, Daron (August 15, 2022). ""Nope" VFX Supervisor Guillaume Rocheron on Creating That Spectacular Alien Creature". Motion Picture Association. Archived from the original on August 22, 2022. Retrieved August 22, 2022.
- ^ "Chaos Isn't Reigning At Summer Box Office With $3.35B+, Despite Exhibition's Woes: Season Wrap-Up". Deadline Hollywood. September 2, 2022. Archived from the original on September 3, 2022. Retrieved September 3, 2022.
- ^ James Grebey, James Grebey (November 18, 2022). "'Godzilla 2000' kind of has the same plot as Jordan Peele'S 'Nope'. Kind of". Syfy. Retrieved November 26, 2023.
- ^ Wheeler, André-Naquian (August 4, 2022). "The Outfits in Nope Tell Their Own Story". Vogue. Archived from the original on August 7, 2022. Retrieved August 7, 2022.
- ^ ab Hemphill, Jim; O'Falt, Chris (July 22, 2022). "Jordan Peele's Toolkit Interview: Making 'Nope' a Masterpiece of Sound". IndieWire. Archived from the original on August 2, 2022. Retrieved October 3, 2022.
- ^ ab c Greene, Steve (July 23, 2022). "'Nope' Composer Michael Abels Knows Exactly What He Wants Chaos to Sound Like". IndieWire. Archived from the original on August 7, 2022. Retrieved August 7, 2022.
- ^ "Nope Soundtrack Album Details". Film Music Reporter. July 21, 2022. Archived from the original on July 22, 2022. Retrieved July 23, 2022.
- ^ Breihan, Tom (July 22, 2022). "Hear The Creepy, Screwed Remix Of Corey Hart's 'Sunglasses At Night' From Jordan Peele's Nope". Stereogum. Archived from the original on July 22, 2022. Retrieved July 23, 2022.
- ^ Aswad, Jem (July 25, 2022). "What's With All the Early '90s Alt-Rock T-Shirts in 'Nope'?". Variety. Archived from the original on July 26, 2022. Retrieved July 27, 2022.
- ^ Squires, Betsy (July 24, 2022). "Jordan Peele Shared One Last Nope Easter Egg". Vulture. Archived from the original on July 19, 2023. Retrieved July 19, 2023.
- ^ "'Nope' Soundtrack Album Details". Film Music Reporter. July 21, 2022. Archived from the original on July 23, 2022. Retrieved July 27, 2022.
- ^ Couch, Aaron (February 13, 2022). "Jordan Peele's Nope Scares Up a Trailer Ahead of Super Bowl". The Hollywood Reporter. Archived from the original on February 13, 2022. Retrieved February 13, 2022.
Until now, Nope has been kept under tight wraps, with a poster debuting in July as well as a short trailer announcement video hitting on Feb. 8.
- ^ Grobar, Matt (February 8, 2022). "Nope First Look: Jordan Peele's Latest Film For Universal Starring Daniel Kaluuya, Keke Palmer, Steven Yeun & More". Deadline Hollywood. Archived from the original on February 14, 2022. Retrieved February 14, 2022.
- ^ ab c Hoffman, Jordan (February 13, 2022). "Jordan Peele's Nope Trailer Is Terrifying Without Giving Anything Away". Vanity Fair. Archived from the original on February 13, 2022. Retrieved February 13, 2022.
- ^ Grobar, Matt (February 13, 2022). "Nope: Watch Super Bowl Ad". Deadline Hollywood. Archived from the original on February 14, 2022. Retrieved February 14, 2022.
- ^ Goslin, Austen (February 13, 2022). "Jordan Peele's Nope Super Bowl trailer is full of strange, sci-fi mystery". Polygon. Archived from the original on February 13, 2022. Retrieved February 13, 2022.
- ^ Chapman, Wilson (February 13, 2022). "Nope Trailer: Daniel Kaluuya and Keke Palmer Have a Close Encounter in Jordan Peele's New Thriller". Variety. Archived from the original on February 13, 2022. Retrieved February 13, 2022.
- ^ ab Mathai, Jeremy (June 3, 2022). "Nope Teaser: New TV Spot Features A UFO But No Aliens, Nope". /Film. Archived from the original on June 3, 2022. Retrieved June 3, 2022.
- ^ Pulliam-Moore, Charles (February 13, 2022). "Nope's first trailer is a hard yes". The Verge. Archived from the original on February 13, 2022. Retrieved February 13, 2022.
- ^ D'Alessandro, Anthony (February 16, 2022). "Doctor Strange Sequel, Jurassic World Dominion, LOTR Trailers Saw Biggest Super Bowl Spikes On Social Media". Deadline Hollywood. Archived from the original on February 17, 2022. Retrieved February 17, 2022.
- ^ Leston, Ryan (March 1, 2022). "The Latest Poster for Jordan Peele's Nope Is Appropriately Confusing". IGN. Archived from the original on March 1, 2022. Retrieved March 1, 2022.
- ^ Devore, Britta (March 1, 2022). "Nope: New Poster For Jordan Peele's Next Film Keeps Our Eyes on the Sky With ...A Floating Horse?". Collider. Archived from the original on March 1, 2022. Retrieved March 1, 2022.
- ^ Squires, John (March 1, 2022). "Jordan Peele's Nope Poster Sends a Horse into the Night Skies". Bloody Disgusting. Archived from the original on March 1, 2022. Retrieved March 1, 2022.
- ^ Briscuso, Lex (March 1, 2022). "Hold Your Horses, There's A New Nope Poster". /Film. Archived from the original on March 1, 2022. Retrieved March 1, 2022.
- ^ Fitzmaurice, Larry (April 16, 2022). "Steph Curry Stars In A New Ad For Jordan Peele's Nope, And It's Terrifyingly Funny". BuzzFeed. Archived from the original on April 16, 2022. Retrieved April 17, 2022.
- ^ Gardner, Chris; Giardina, Carolyn; McClintock, Pamela (April 27, 2022). "Jordan Peele's Nope, Minions Sequel and Jurassic World Finale Among Universal CinemaCon Highlights". The Hollywood Reporter. Archived from the original on June 7, 2022. Retrieved June 7, 2022.
- ^ Fabian Brathwaite, Lester; Huff, Lauren (April 27, 2022). "Jordan Peele reveals the meaning of Nope and why he wants you to yell it out". Entertainment Weekly. Archived from the original on June 7, 2022. Retrieved June 7, 2022.
- ^ Villei, Matt (June 3, 2022). "Nope Teaser Gives a Resounding 'Hell No' to the Monster Haunting Jordan Peel's Latest Horror Film". Collider. Archived from the original on June 4, 2022. Retrieved May 9, 2022.
- ^ Squires, John (June 7, 2022). "Jordan Peele's Nope – Character Posters Watch the Skies Ahead of New Trailer This Week". Bloody Disgusting. Archived from the original on June 9, 2022. Retrieved June 9, 2022.
- ^ Squires, John (June 8, 2022). "Nope Featurette Hypes Jordan Peele's New Horror Movie as a 'Cinematic Event'". Bloody Disgusting. Archived from the original on June 9, 2022. Retrieved June 9, 2022.
- ^ Leston, Ryan (June 9, 2022). "Nope: New Trailer Finally Tells Us What the Jordan Peele Movie Is About". IGN. Archived from the original on June 9, 2022. Retrieved June 9, 2022.
- ^ Pulliam-Moore, Charles (June 9, 2022). "Nope's final trailer reveals true horror Jordan Peele's been hiding this whole time". Polygon. Archived from the original on June 9, 2022. Retrieved June 9, 2022.
- ^ Parker, Ryan (June 9, 2022). "Final Nope Trailer Reveals Far More Plot Details for Jordan Peele's Upcoming Sci-Fi Horror Film". The Hollywood Reporter. Archived from the original on June 9, 2022. Retrieved June 9, 2022.
- ^ Carter, Justin (June 11, 2022). "Did Nope's New Trailer Actually Spoil Anything?". Gizmodo. Archived from the original on June 18, 2022. Retrieved June 18, 2022.
- ^ Squires, John (June 17, 2022). "IMAX Poster for Jordan Peele's Nope Has Got Its Eye on You..." Bloody Disgusting. Archived from the original on July 2, 2022. Retrieved July 2, 2022.
- ^ Squires, John (June 28, 2022). "Dolby Cinema Poster for Jordan Peele's Nope Stitches Together Steven Yeun's Outfit". Bloody Disgusting. Archived from the original on July 2, 2022. Retrieved July 2, 2022.
- ^ Perry, Spencer (July 1, 2022). "Jordan Peele's Nope Debuts Viral Website With Secret Contest". ComicBook.com. Archived from the original on July 2, 2022. Retrieved July 2, 2022.
- ^ Ettenhofer, Valerie (July 1, 2022). "Nope Has A Viral Site Full Of Clues, Hints, And A Reference To The Movie Holes". /Film. Archived from the original on July 2, 2022. Retrieved July 2, 2022.
- ^ Michaelsen, Shannen (June 28, 2022). "Nope-Inspired Town Set Under Construction at Universal Studios Hollywood". WDWNT News Today. Archived from the original on July 2, 2022. Retrieved July 2, 2022.
- ^ Tapp, Tom (July 7, 2022). "Creepy Amusement Park Set From Jordan Peele's Nope Opening On Universal Studios Tour Day And Date With Film". Deadline Hollywood. Archived from the original on July 7, 2022. Retrieved July 7, 2022.
- ^ Peele, Jordan [@JordanPeele] (July 24, 2022). "Gordy's Home!" (Tweet) – via Twitter.
- ^ Chuba, Kirsten (July 18, 2022). "Yep! On the carpet tonight for #NopeMovie". Archived from the original on July 19, 2022. Retrieved July 18, 2022 – via Twitter.
- ^ D'Alessandro, Anthony (November 9, 2020). "Universal Sets Release Date For Jordan Peele's Next Movie". Deadline Hollywood. Archived from the original on November 15, 2020. Retrieved February 16, 2021.
- ^ Lambert, Harper (June 20, 2022). "Alamo Drafthouse to Host Outdoor Screening of Nope at Sunset Ranch Hollywood (Exclusive)". TheWrap. Archived from the original on June 20, 2022. Retrieved June 20, 2022.
- ^ "TIFF: Jordan Peele's 'Nope' Set for Imax Screening at Film Fest". The Hollywood Reporter. August 30, 2022. Archived from the original on August 30, 2022. Retrieved August 30, 2022.
- ^ "Jordan Peele's NOPE Will Screen at TIFF 2022". Archived from the original on August 30, 2022. Retrieved August 30, 2022.
- ^ Squires, John (August 22, 2022). "Jordan Peele's 'Nope' Comes Home to On Demand This Friday!". Bloody Disgusting!. Archived from the original on August 23, 2022. Retrieved August 23, 2022.
- ^ "Nope DVD Release Date". www.dvdsreleasedates.com. Archived from the original on October 18, 2022. Retrieved October 17, 2022.
- ^ "'Nope' Debuts To $44 Million, The Best For An Original Film Since Jordan Peele's 'Us' In 2019". Box Office Mojo. Archived from the original on July 26, 2022. Retrieved July 26, 2022.
- ^ Lang, Brent; Rubin, Rebecca (July 28, 2020). "Universal, AMC Theatres Forge Historic Deal Allowing Theatrical Releases to Debut on Premium VOD Early". Variety. Archived from the original on July 29, 2020. Retrieved September 15, 2022.
- ^ D'Alessandro, Anthony (November 16, 2020). "Universal & Cinemark Ink Shortened Theatrical Window-PVOD Share Pact In Wake Of AMC Deal". Deadline. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
- ^ Gruenwedel, Eric (May 13, 2021). "Regal Owner, Universal Pictures Ink Shortened Theatrical Window Pact". Media Play News. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
- ^ ab D'Alessandro, Anthony (July 24, 2022). "Jordan Peele's Nope Opens To $44M, As Original IP Breaks Through At Box Office – Sunday Update". Deadline Hollywood. Archived from the original on July 24, 2022. Retrieved July 24, 2022.
- ^ D'Alessandro, Anthony (July 30, 2022). "'DC League Of Super-Pets' Fetches $23M Opening For Warner Bros". Deadline Hollywood. Archived from the original on July 30, 2022. Retrieved July 31, 2022.
- ^ D'Alessandro, Anthony (August 7, 2022). "'Bullet Train' Pulls Into Weekend Box Office Station With $30.1M Opening – Sunday Update". Deadline Hollywood. Archived from the original on August 7, 2022. Retrieved August 7, 2022.
- ^ D'Alessandro, Anthony (August 13, 2022). "'Bullet Train' Second Go-Round Now At $13.3M As Summer 2022 Clocks Lowest Weekend To Date With $64M – Saturday PM Box Office Update". Deadline Hollywood. Archived from the original on August 13, 2022. Retrieved August 14, 2022.
- ^ "Nope". Rotten Tomatoes. Fandango Media. Retrieved May 24, 2023.
- ^ "Nope". Metacritic. Fandom, Inc. Retrieved September 20, 2022.
- ^ Scott, A. O. (July 20, 2022). "'Nope' Review: Hell Yes". The New York Times. Archived from the original on August 8, 2022. Retrieved August 9, 2022.
- ^ Roeper, Richard (July 20, 2022). "'Nope': Every moment matters in Jordan Peele's exhilarating new horror fable". Chicago Sun-Times. Archived from the original on August 9, 2022. Retrieved August 9, 2022.
- ^ Henderson, Odie (July 20, 2022). "Nope movie review & film summary (2022)". RogerEbert.com. Archived from the original on August 9, 2022. Retrieved August 9, 2022.
- ^ Sims, David (July 20, 2022). "Jordan Peele's Nope Is Spectacular, Indulgent, and Brutal". The Atlantic. Archived from the original on August 7, 2022. Retrieved August 9, 2022.
- ^ Shindler, Michael (August 17, 2022). "Jordan Peele's Nope: The Reactionary Blockbuster of the Summer". The American Spectator. Archived from the original on August 20, 2022. Retrieved August 24, 2022.
- ^ Evangelista, Chris (July 20, 2022). "Nope Review: Jordan Peele Stages An Absolute Spectacle With His Scary, Funny Sci-Fi Blockbuster". /Film. Archived from the original on July 20, 2022. Retrieved July 20, 2022.
- ^ Ehrlich, David (July 20, 2022). "Nope Review: Jordan Peele's Wildly Entertaining Blockbuster Is the Best Kind of Hollywood Spectacle". IndieWire. Archived from the original on July 21, 2022. Retrieved July 20, 2022.
- ^ Kendrick, Ben (July 20, 2022). "Nope Review: A Haunting & Humorous Twist On Hollywood Sci-Fi". Screen Rant. Archived from the original on July 21, 2022. Retrieved July 20, 2022.
- ^ Lawson, Richard (July 20, 2022). "In Jordan Peele's Nope, Spectacle Triumphs Over Substance". Vanity Fair. Archived from the original on July 20, 2022. Retrieved July 20, 2022.
- ^ Duralde, Alonso (July 20, 2022). "Nope Film Review: The Parts of Jordan Peele's Latest Are Greater than the Whole". TheWrap. Archived from the original on July 20, 2022. Retrieved July 20, 2022.
- ^ Bradshaw, Peter (July 20, 2022). "Nope review – Jordan Peele's followup to Get Out and Us is a bit meh". The Guardian. Archived from the original on August 9, 2022. Retrieved August 9, 2022.
- ^ "The Best Cinematography of the 21st Century". May 3, 2023.
- ^ "The Best Film Scores of 2022". December 20, 2022.
- ^ "The 60 Best Sci-Fi Movies of the 21st Century, from 'Melancholia' and 'M3GAN' to 'Asteroid City'". October 19, 2023.
- ^ "The 25 Scariest Alien Movies, from 'Fire in the Sky' and 'Nope' to 'Save Yourselves!' and 'Species'". June 27, 2023.
- ^ "10 Best Horror Movies of the 2020s (So Far)". August 24, 2023.
- ^ "The 10 best sci-fi movies of the 21st century". April 20, 2023.
- ^ "The Best Alien Invasion Movies of the 21st Century (So Far), Ranked". September 22, 2023.
- ^ Lewis, Hilary (December 9, 2022). "AFI Best Film, TV Shows of 2022 Include Avatar Sequel, Women Talking, The Bear and Mo". The Hollywood Reporter. Archived from the original on December 9, 2022. Retrieved February 13, 2023.
- ^ Giardina, Carolyn (January 9, 2023). "Avatar: The Way of Water, Black Panther: Wakanda Forever and Elvis Among Art Directors Guild Nominees". The Hollywood Reporter. Archived from the original on January 9, 2023. Retrieved February 10, 2023.
- ^ Grein, Paul (February 27, 2023). "Volker Bertelmann, Carter Burwell Among Nominees for 2023 ASCAP Composers' Choice Awards (Full List)". Billboard. Archived from the original on February 27, 2023. Retrieved March 8, 2023.
- ^ Whittaker, Richard (January 4, 2023). "Austin Film Critics Association Announces 2022 Awards Short Lists". The Austin Chronicle. Archived from the original on January 5, 2023. Retrieved February 8, 2023.
- ^ Whittaker, Richard (January 11, 2023). "Everything Everywhere All At Once Wins Everything at the Austin Film Critics Association Award". The Austin Chronicle. Archived from the original on January 11, 2023. Retrieved February 8, 2023.
- ^ Ross, Adam (March 12, 2023). "The Stranger makes itself known at The Australian Film Critics Association Awards". FilmInk. Archived from the original on March 13, 2023. Retrieved March 26, 2023.
- ^ Rouhani, Neena (June 8, 2023). "GloRilla & Drake Lead 2023 BET Awards Nominations". Billboard. Retrieved June 19, 2023.
- ^ Complex, Valerie (December 15, 2022). "Black Reel Awards Nominations Announced For 23rd Annual Ceremony; The Woman King And Black Panther: Wakanda Forever Lead With 14 Nominations". Deadline Hollywood. Archived from the original on December 16, 2022. Retrieved February 8, 2023.
- ^ Complex, Valerie (February 6, 2023). "The Woman King Wins Big At The 23rd Annual Black Reel Awards". Deadline Hollywood. Archived from the original on February 7, 2023. Retrieved February 8, 2023.
- ^ Tallerico, Brian (December 12, 2022). "Everything Everywhere All at Once Leads Chicago Film Critics Nominations". RogerEbert.com. Archived from the original on December 12, 2022. Retrieved December 12, 2022.
- ^ Tallerico, Brian (December 14, 2022). "The Banshees of Inisherin Named Best Picture by Chicago Film Critics Association". RogerEbert.com. Archived from the original on December 15, 2022. Retrieved March 9, 2023.
- ^ Vlessing, Etan (March 16, 2023). "Everything Everywhere All at Once Wins Big at 2023 Critics Choice Super Awards". The Hollywood Reporter. Archived from the original on March 16, 2023. Retrieved March 16, 2023.
- ^ Pener, Degen; Schmidt, Ingrid (February 28, 2023). "Costume Designers Guild Award 2023 Winners Include Elvis, Wednesday and House of the Dragon". The Hollywood Reporter. Archived from the original on February 28, 2023. Retrieved February 28, 2023.
- ^ Neglia, Matt (December 14, 2022). "The 2022 Florida Film Critics Circle (FFCC) Nominations". Next Best Picture. Archived from the original on December 16, 2022. Retrieved December 15, 2022.
- ^ Anderson, Erik (January 7, 2023). "2022 Georgia Film Critics Association (GAFCA) nominations". AwardsWatch. Archived from the original on January 7, 2023. Retrieved January 7, 2023.
- ^ Iannucci, Rebecca (March 30, 2023). "GLAAD Media Awards: The White Lotus, A League of Their Own Among Winners". TVLine. Archived from the original on March 31, 2023. Retrieved April 2, 2023.
- ^ Giardina, Carolyn (January 9, 2023). "Everything Everywhere All at Once Leads Sound Editors' Golden Reel Nominations". The Hollywood Reporter. Archived from the original on January 9, 2023. Retrieved February 27, 2023.
- ^ Giardina, Carolyn (February 26, 2023). "Top Gun: Maverick, Elvis, All Quiet on the Western Front Make Noise at Sound Editors' Awards". The Hollywood Reporter. Archived from the original on February 27, 2023. Retrieved February 27, 2023.
- ^ Davis, Clayton (August 2, 2022). "Golden Trailer Awards: The Batman and Top Gun: Maverick Among Nominees, Disney Leads for Studios (Exclusive)". Variety. Archived from the original on August 3, 2022. Retrieved August 24, 2023.
- ^ "Winners of the 22nd Annual Golden Trailer Awards" (PDF). Golden Trailer Awards. Archived (PDF) from the original on October 12, 2022. Retrieved August 24, 2023.
- ^ Tinoco, Armando (June 5, 2023). "Golden Trailer Awards Nominations List: Stranger Things, Black Panther: Wakanda Forever, Ted Lasso & Glass Onion: A Knives Out Mystery Among Most Nominated". Deadline Hollywood. Archived from the original on June 5, 2023. Retrieved June 6, 2023.
- ^ Pedersen, Erik (June 29, 2023). "Golden Trailer Awards: Cocaine Bear, Only Murders In The Building & Oppenheimer Among Top Winners – Full List". Deadline Hollywood. Archived from the original on June 30, 2023. Retrieved June 30, 2023.
- ^ Anderson, Erik (June 28, 2022). "Everything Everywhere All At Once leads Hollywood Critics Association (HCA) Midseason Awards nominations". AwardsWatch. Archived from the original on July 2, 2022. Retrieved March 9, 2023.
- ^ Anderson, Erik (July 1, 2022). "Everything Everywhere All at Once sweeps HCA Midseason Film Awards, Austin Butler named Best Actor". AwardsWatch. Archived from the original on July 1, 2022. Retrieved March 9, 2023.
- ^ ab Davis, Clayton (December 15, 2022). "A24's Everything Everywhere All at Once Leads HCA Film Awards Total Nominations With 16". Variety. Archived from the original on December 15, 2022. Retrieved March 9, 2023.
- ^ ab Moye, Clarence (February 24, 2023). "Everything Everywhere Leads 2023 HCA Awards with 7 Wins". Awards Daily. Archived from the original on February 25, 2023. Retrieved March 9, 2023.
- ^ Anderson, Erik (November 17, 2022). "Rihanna, Billy Eichner, Elvis, Guillermo del Toro's Pinocchio top Hollywood Music in Media Awards (HMMA) winners". AwardsWatch. Archived from the original on November 18, 2022. Retrieved February 8, 2023.
- ^ Darling, Cary (January 10, 2023). "Banshees, Everything top list of Houston critics' nominations". Houston Chronicle. Archived from the original on January 12, 2023. Retrieved January 11, 2023.
- ^ Darling, Cary (February 18, 2023). "Everything, RRR, Banshees top Houston Film Critics' Awards". Houston Chronicle. Archived from the original on February 19, 2023. Retrieved March 9, 2023.
- ^ Codega, Linda (October 24, 2023). "The 2023 Hugo Award Winners Have Been Announced". Gizmodo. Archived from the original on October 24, 2023. Retrieved October 25, 2023.
- ^ Zee, Michaela (December 7, 2022). "ICG Publicists Awards Reveals 2023 Nominations". Variety. Archived from the original on December 7, 2022. Retrieved February 12, 2023.
- ^ Pedersen, Erik (March 10, 2023). "ICG Publicists Awards: Top Gun: Maverick & Abbott Elementary Take Top Prizes – Full Winners List". Deadline Hollywood. Archived from the original on March 10, 2023. Retrieved March 10, 2023.
- ^ Anderson, Erik (February 9, 2023). "Bear McCreary, Michael Giacchino and Daniel Pemberton lead 2022 International Film Music Critics Association (IFMCA) nominations". AwardsWatch. Archived from the original on February 9, 2023. Retrieved February 10, 2023.
- ^ "IFMCA Award Winners 2022". International Film Music Critics Association. February 23, 2023. Archived from the original on February 24, 2023. Retrieved February 24, 2023.
- ^ Thomas, Carly (December 11, 2022). "'Tár' and 'Everything Everywhere All at Once' Named Best Picture by L.A. Film Critics". The Hollywood Reporter. Archived from the original on December 22, 2022. Retrieved December 11, 2022.
- ^ Giardina, Carolyn (February 11, 2023). "Elvis Collects Pair of Make-Up Artists and Hair Stylists Guild Awards". The Hollywood Reporter. Archived from the original on February 12, 2023. Retrieved February 12, 2023.
- ^ Skinner, Tony (November 11, 2022). "MOBOs 2022: Nova Twins, Little Simz and FKA twigs among nominees". NME. Archived from the original on December 8, 2022. Retrieved December 10, 2022.
- ^ Krol, Charlotte (December 1, 2022). "MOBO Awards 2022: Little Simz, Knucks, Central Cee, PinkPantheress and Jamal Edwards among winners". NME. Archived from the original on December 1, 2022. Retrieved February 10, 2023.
- ^ Nordyke, Kimberly (May 7, 2023). "MTV Movie & TV Awards: Full List of Winners". The Hollywood Reporter. Archived from the original on May 8, 2023. Retrieved May 8, 2023.
- ^ Pierre, Mekishana (February 25, 2023). "2023 NAACP Image Awards: Complete Winners List". Entertainment Tonight. Archived from the original on February 26, 2023. Retrieved February 26, 2023.
- ^ Zilko, Christian (January 7, 2023). "'TÁR' and 'Aftersun' Win Big at National Society of Film Critics Awards (Complete Winners List)". IndieWire. Archived from the original on January 7, 2023. Retrieved January 7, 2023.
- ^ Davis, Clayton (December 2, 2022). "New York Film Critics Circle Announcing 2022 Winners (Updating Live)". Variety. Archived from the original on December 2, 2022. Retrieved December 2, 2022.
- ^ Neglia, Matt (December 11, 2022). "The 2022 New York Film Critics Online (NYFCO) Winners". NextBestPicture. Archived from the original on December 11, 2022. Retrieved December 11, 2022.
- ^ Neglia, Matt (January 23, 2023). "The 2022 Online Film Critics Society (OFCS) Winners". Next Best Picture. Archived from the original on January 23, 2023. Retrieved January 23, 2023.
- ^ Piña, Christy (December 6, 2022). "People's Choice Awards: Doctor Strange 2, Don't Worry Darling Take Top Prizes". The Hollywood Reporter. Archived from the original on December 7, 2022. Retrieved December 7, 2022.
- ^ Tinoco, Armando (August 12, 2022). "Saturn Awards Nominations: The Batman, Nightmare Alley, Spider-Man, Better Call Saul Top List". Deadline Hollywood. Archived from the original on August 12, 2022. Retrieved August 12, 2022.
- ^ O'Rourke, Ryan (October 26, 2022). "Saturn Award Winners Headlined By Everything Everywhere All At Once, Top Gun Maverick, and Better Call Saul". Collider. Archived from the original on October 26, 2022. Retrieved February 8, 2023.
- ^ ""Everything Everywhere All At Once" Leads the 2022 Seattle Film Critics Society Nominations". Seattle Film Critics Society. January 9, 2023. Archived from the original on January 14, 2023. Retrieved January 10, 2023.
- ^ Neglia, Matt (December 11, 2022). "The 2022 St. Louis Film Critics Association (StLFCA) Nominations". NextBestPicture. Archived from the original on December 12, 2022. Retrieved December 11, 2022.
- ^ "Aftersun Leads 26th Annual TFCA Awards Winners". Toronto Film Critics Association. January 8, 2023. Archived from the original on January 8, 2023. Retrieved January 8, 2023.
- ^ Anderson, Erik (December 10, 2022). "Washington DC Film Critics nominations: 'Everything Everywhere All At Once,' 'The Fabelmans' lead". Awards Watch. Archived from the original on December 21, 2022. Retrieved December 10, 2022.
- ^ "'Nope' Star Brandon Perea Reveals The Major Change To His Character's Arc In Jordan Peele's New Film". SyFy. July 25, 2022. Archived from the original on July 25, 2022. Retrieved July 25, 2022.
- ^ Murphy, Mekado (August 29, 2022). "Jordan Peele Says There May Be More 'Nope' Stories to Come". The New York Times. ISSN 0362-4331. Archived from the original on September 1, 2022. Retrieved September 1, 2022.
- ^ Horowitz, Josh (January 16, 2022). Jordan Peele & Hoyte Van Hoytema talk NOPE spoilers! Happy Sad Confused. Happy Sad Confused. Archived from the original on January 16, 2023. Retrieved January 16, 2022 – via YouTube.
External links[edit]
- 2022 films
- 2022 science fiction horror films
- 2022 Western (genre) films
- 2020s American films
- 2020s English-language films
- 2020s monster movies
- 2020s satirical films
- 2020s Western (genre) horror films
- Alien abduction films
- American monster movies
- American science fiction horror films
- American Western (genre) horror films
- American Western (genre) science fiction films
- Films about siblings
- Films about cryptids
- Films about extraterrestrial life
- Films about filmmaking
- Films about Hollywood, Los Angeles
- Films about horses
- Films directed by Jordan Peele
- Films impacted by the COVID-19 pandemic
- Films produced by Jordan Peele
- Films scored by Michael Abels
- Films set in 1998
- Films set in the 2020s
- Films set in 2022
- Films set on farms
- Films set in Los Angeles County, California
- Films shot in Los Angeles
- Films shot in California
- Films set in California
- Films shot in the United States
- Films set in the United States
- Films with screenplays by Jordan Peele
- Contemporary Western films
Universal Pictures films
Media about animal attacks
일어 한역
The Front Row
“Nope” Is One of the Great Movies About Moviemaking
Jordan Peele’s latest, a science-fiction Western, embodies the moral and spiritual implications of cinematic representation—and exploitation.
By July 25, 2022
In “Nope,” starring Daniel Kaluuya and Keke Palmer, Peele looks specifically to the history of the cinema and its intersection with the experience of Black Americans.Photograph courtesy Universal Pictures
The essence of the cinema is the symbol—the filming of action that stands for something else, that gets its identity from what’s offscreen. There’s plenty of action in Jordan Peele’s new film, “Nope,” and it’s imaginative and exciting if viewed purely as the genre mashup that it is—a science-fiction movie that’s also a modern-day Western. But even that premise bears an enormous, intrinsic symbolic power, one that was already apparent in a much slighter precursor, Jon Favreau’s 2011 film, “Cowboys & Aliens.” Like “Nope,” Favreau’s film involves the arrival of creatures from outer space in the American West; there, it was already apparent that what the genres share is the unwelcome arrival of outsiders from afar (aliens are to Earth as white people are to this continent). Peele takes the concept many ingenious steps further.
“Nope” is a phantasmagorical story of Black people in the American West, the unwelcome among the unwelcome, and it’s set in the present-day West, namely, Hollywood and the Hollywood-proximate, the very heart of Wild West mythology. “Nope” is one of the great movies about moviemaking, about the moral and spiritual implications of cinematic representation itself—especially the representation of people at the center of American society who are treated as its outsiders. It is an exploitation film—which is to say, a film about exploitation and the cinematic history of exploitation as the medium’s very essence.
Peele’s film is set mainly on a horse farm in California, Haywood Hollywood Horses, that provides the animals as needed for movies and TV shows and commercials. Its owner, Otis Haywood, Sr. (Keith David), dies mysteriously after being hit by a bullet-like piece of space debris that showers the property. The farm is taken over by his two children, Otis, Jr., called O.J. (Daniel Kaluuya), and Emerald (Keke Palmer). Neither of the heirs, though, is entirely cut out to fill Otis’s shoes. O.J., who loves the horses and works devotedly with them, is something of an introvert; he isn’t the communicator—the on-set presence—that his father was. Emerald, who is very much a communicator, is an aspiring filmmaker and actor for whom the horses are just a job, and not a very pleasant one. To address the farm’s financial troubles, they sell horses to a nearby Western theme park. But, when the source of the space debris—a monstrous U.F.O. that sucks humans and horses into its maw and eats them—makes its appearance, O.J. and Emerald are forced to fight it. They’re also inspired, for the purpose of saving the farm financially, to film it, in the hope of selling the first authentic footage of a U.F.O.
I’m being especially chary of spoilers in discussing “Nope”; I greatly enjoyed the discovery of the plot’s daring and inventive twists and turns, along with the discerning and speculative ideas that they bring to light. By remarkable design, the movie is as full of action as it is light on character psychology. There’s no special reason why O.J. is taciturn or Emerald is ebullient, or why they’re able to marshal the inner resources for mortal combat with invaders from outer space. “Nope” offers the characters little backstory—at least, not of the usual sort. Rather, Peele pushes even further with a theme that he launched in “Get Out” and “Us”: the recognition of history—especially its hidden or suppressed aspects—as backstory. With “Nope,” Peele looks specifically to the history of the cinema and its intersection with the experience of Black Americans to create a backstory that virtually imbues every frame of the movie.
For the Haywoods, the crucial backstory goes to the birth of the cinema: the real-life “moving images,” created by Eadweard Muybridge in the eighteen-seventies and eighties, that are often considered the primordial movies. Muybridge was commissioned to study the movement of a galloping horse; the name of the Black jockey he photographed riding one of those horses went unrecorded. In “Nope,” Peele creates a fictitious identity for the rider—Alistair Haywood, the family’s forebear. Emerald tells the crew on a TV commercial, who are relying on one of their horses, that, when it comes to movies, the Haywoods have “skin in the game.” Acknowledging and extending cinema’s legacy while also redressing its omissions and misrepresentations of history is the premise of “Nope”: the responsibility, the guilt, the danger, the ethical compromise of the cinematic gaze.
VIDEO FROM THE NEW YORKER
Encarnación: Finding Joy in the Face of Dementia
The film-centric symbolism of “Nope” gives rise to the film’s distinctive, surprising sense of texture. “Get Out” and “Us” are films of a thick cinematic impasto, crowded with characters and tangled with action. “Nope,” made on a much higher budget, is a sort-of blockbuster—but an inside-out blockbuster. If the first two films are oil paintings, “Nope” is a watercolor of the kind that leaves patches of the underlying paper untinted. It’s set in wide-open Western spaces, and what fills their emptiness is power: political, historical, physical, psychological.
The movie is also filled with images—imagined ones, and also real ones, a visual overlay of myth and lore that fills the Western landscape with the history of the cinema. What embodies the invisible lines of power is the gaze, of the eye and of the camera alike. Peele has been, from the start of his career, one of the great directors of point-of-view shots, of the drama and the psychology of vision, and he pursues the same idea to radical extremes in “Nope.” Point-of-view shots are at the center of the drama; again, avoiding spoilers, the spark of the drama turns out to be, in effect, eye contact—the connection of the seer and the seen (including when they’re one and the same, in reflections). Alongside the intrusive intimacy of the naked eye, Peele makes explicit the inherently predatory aspect of the photographic image—the taking of life, so to speak—and the responsibility that image-making imposes on the maker.
There’s another bit of backstory that puts the filmmaker’s responsibility front and center. The movie begins with a scene in a TV studio, where an ostensibly trained chimpanzee performing with human actors on a sitcom runs amok. (This subplot reminds me of the horrific accident on the set of “Twilight Zone: The Movie,” in 1982.) A survivor of the chimp’s attack, which took place in 1996, is an Asian American child actor (Jacob Kim) who now, as an adult (played by Steven Yeun), is the owner of Jupiter’s Claim, the Western theme park to which O.J. has been selling horses. The jovial owner, called Jupe, has also had some contact with the U.F.O. and is also trying to profit from it, indifferent to the risks involved. Jupe’s space-horse show (something of a mysterious, invitation-only event) makes uncannily clear the predatory connection between viewers and, um, consumers.
Peele is seriously playful with the technology of movies in ways that recall Martin Scorsese’s “Hugo.” The action of “Nope” pivots on the power and the nature of movie technology—the contrast of digital and optical images—and the creative rediscovery of bygone methods, as reflected in its very cast of characters, which includes a young electronic-surveillance nerd and U.F.O. buff (Brandon Perea) and a grizzled cinematographer (Michael Wincott). The TV commercial for which the Haywoods rent a horse is being shot in a studio, in front of a green screen (another empty visual space shot through with power), where a melancholy horse is standing still, stripped of its majestic energy, reduced to a mere digital emblem of itself, ridden by no one but manipulated by a desk jockey with no onscreen identity at all. Peele presents the C.G.I. on which “Nope” itself depends as a dubious temptation and a form of dangerous power.
Yet the crucial bit of backstory remains unexpressed: the question of why, of all the horse farms in California, the space creatures chose to target the one that’s Black-owned. The answer to the question is one that both demands expression and faces a silencing on a daily, institutional basis. The movie opens with a Biblical quote: a scourging prophecy, from the book of Nahum. In transferring the politics of “Nope” to the intergalactic level—a sardonic vision of the universality of racism—Peele also transfers them to an overarching, spiritual, metaphysical one. He offers a scathing, exuberant vision of redemption. ♦
An earlier version of this article misstated the name of the Western theme park Jupiter’s Claim. It also incorrectly described the space debris that killed Otis Haywood, Sr.
New Yorker Favorites
The killer who got into Harvard.
The contested legacies of Napoleon.
Why 1956 was a radical year in hair dye.
The legends of Lizzie Borden.
The skyscraper that could have toppled over in a windstorm.
The day the dinosaurs died.
Fiction by Amy Tan: “Immortal Heart”
Sign up for our daily newsletter to receive the best stories from The New Yorker.
Richard Brody began writing for The New Yorker in 1999. He writes about movies in his blog, The Front Row. He is the author of “Everything Is Cinema: The Working Life of Jean-Luc Godard.”
No comments:
Post a Comment