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Manchester by the Sea (film) - Wikipedia 맨체스터 바이 더 씨

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Manchester by the Sea (film)

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==
《맨체스터 바이 더 씨》(영어: Manchester by the Sea)는 2016년 개봉한 미국의 드라마 영화이다. 케네스 로너건이 각본과 감독을 맡아, 케이시 애플렉, 미셸 윌리엄스, 카일 챈들러와 루커스 헤지스가 출연한다. 작중 배경은 매사추세츠주의 실존하는 도시 맨체스터바이더시로 형의 죽음으로 고향 맨체스터에 돌아온 리와 조카 패트릭과 새로운 삶을 시작하면서 동시에 숨겨둔 과거의 기억들과 마주하게 되는 이야기를 그린 작품이다. 아마존 스튜디오 배급으로 2016년 선댄스 영화제에서 처음 공개되었다. 미국에서는 2016년 11월 18일에 개봉되었다.


『マンチェスター・バイ・ザ・シー』
이 영화는 비평가들에 많은 찬사를 받으며 2016년 최고의 영화로 손꼽혔다. 비평가들은 특히 애플렉의 연기와 로너건의 연출 및 시나리오에 대해 극찬을 보냈다. 제89회 미국 아카데미상에서 6개 부문(작품상, 감독상, 각본상, 남우주연상, 남우조연상, 여우조연상)에 후보로 올라 각본상과 남우주연상을 수상했다. 그외에도 골든 글로브상에서는 4개 부문에 후보에 올라 애플렉은 드라마 영화 부문 남우주연상을 수상했으며, 영국 아카데미 영화상(BAFTA)에서는 5개 부문(작품상, 감독상, 각본상, 남우주연상, 여우조연상)에 후보에 올라 각본상, 남우주연상 2개 부문을 수상했다.
==

' 맨체스터 바이 더 씨 '( Manchester by the Sea ) 는 2016년 미국 에서 제작된 드라마 영화이다. 감독은 케네스 로 너건, 주연은 케이시 애플렉이 맡는다.

개요 
리 챈들러는 단기적인 성격으로 피가 많고 한마리 늑대로 보스턴 주택가에서 편의점으로 생계를 세웠다.

어느 겨울 날 리는 형의 조가 심장 발작으로 사망했다는 전화를 받았다. 고향 마을 ' 맨체스터 바이 더 씨' 로 돌아온 리는 자신이 16세가 되는 조의 아들의 후견인으로 선출된 것으로 알려졌다. 형을 잃은 슬픔이나 자신에게 조카를 양육할 수 있을까 하는 불안에 마주하는 리였지만, 그는 그 이상으로 어두운 과거, 무거운 문제를 안고 있었다.
==
For the Massachusetts town of the same name, see Manchester-by-the-Sea.
Manchester by the Sea
Theatrical release poster
Directed byKenneth Lonergan
Written byKenneth Lonergan
Produced by
Starring
CinematographyJody Lee Lipes
Edited byJennifer Lame
Music byLesley Barber
Production
companies
Distributed by
Release dates
  • January 23, 2016 (Sundance)
  • November 18, 2016 (United States)
Running time
137 minutes[1]
CountryUnited States
LanguageEnglish
Budget$9 million[2]
Box office$79 million[2]

Manchester by the Sea is a 2016 American drama film written and directed by Kenneth Lonergan that stars Casey Affleck, Michelle Williams, Kyle Chandler, and Lucas Hedges. 

Revolving around the themes of depression, guilt, grief, responsibility, dysfunctional families, and post-traumatic stress disorder, the plot follows a depressed and grief-stricken man who becomes the legal guardian of his teenage nephew after the death of his brother.

The film premiered at the Sundance Film Festival on January 23, 2016, and was picked up by Amazon Studios for distribution. Manchester by the Sea was filmed during March and April 2015 in the eponymous Massachusetts town and other towns in the state, such as Beverly, Essex, Gloucester, Swampscott, Lynn, Middleton, Tewksbury, and Salem. It began a limited release on November 18, 2016, before a wide release on December 16, 2016. It grossed $79 million worldwide against a budget of $9 million.

The film received critical acclaim and was widely counted among the best films of 2016; the National Board of Review listed it as the top film of 2016. Critics complimented the performances of Affleck, Hedges, and Williams, as well as Lonergan's screenplay and direction. At the 89th Academy Awards, Manchester by the Sea won Academy Awards for Best Actor for Affleck and Best Original Screenplay, and additional nominations for Best Picture, Best Director, Best Supporting Actor (Hedges), and Best Supporting Actress (Williams). Affleck also won the Golden Globe Award for Best Actor – Motion Picture Drama; the film was also nominated in four other categories. The British Academy Film Awards nominated the picture for six awards, of which it won Best Actor in a Leading Role for Affleck and Best Original Screenplay. Since then, it has been considered to be among the best films of the 21st century.[3][4]

Plot[edit]

Lee Chandler is a depressed and asocial janitor who lives alone in a basement apartment in Quincy, Massachusetts. One day, he receives a phone call informing him that his brother Joe, a fisherman who lives in Manchester-by-the-Sea, has suffered cardiac arrest; Joe dies before Lee can make it to the hospital.

Lee insists on being the one to tell Joe's teenage son Patrick about his father's death. While making funeral arrangements, they are reminded Joe's body cannot be buried until spring as the ground is frozen. Lee makes plans to remain in Manchester, living in Joe's house until the delayed burial.

When Lee meets with Joe's attorney, he is shocked to discover Joe named him as Patrick's legal guardian. Flashbacks reveal that Lee once lived in Manchester with his then-wife Randi and their three small children. One night after hosting a raucous party, an intoxicated Lee forgot to put the screen in front of the fireplace, leading to a house fire that killed his children. No criminal charges were filed against him, as the police ruled it a tragic accident. However, at the station, a guilt-ridden Lee stole an officer's gun and attempted to shoot himself dead, before being subdued. Lee and Randi subsequently divorced, and he left town. He is reluctant to commit to the guardianship, as it would require him to move back to Manchester.

Plans are begun for Patrick to move to Boston with Lee, but Patrick has strong ties to the Manchester community and stubbornly objects. Lee commits to staying until the end of the school year. Patrick wants to live with his estranged mother Elise, who still lives in the area. Lee is opposed to this as her history with alcoholism led her to abandon her family, but Patrick decides to reconnect with her over lunch.

Elise has committed to Christianity and sobriety with her fiancé Jeffrey, but during an awkward meal with them, Patrick finds he is unable to connect with her. He is further unsettled when Jeffrey emails him and insists on being an intermediary in any future communication between them. Lee's positive comments about Elise's sobriety lead Patrick to believe his uncle is trying to get rid of him, assertions Lee denies.

In response to this strain in their relationship, Lee takes steps to possibly extend his stay in Manchester and seeks to spend more time with Patrick. Over time, they re-establish their bond, despite conflicts over Joe's boat, Patrick's girlfriends, and their future living arrangements.

However, staying in Manchester is still painful for Lee, as he is surrounded by reminders of his past. One day, Lee runs into Randi with her newborn child. A sobbing Randi expresses remorse for her treatment of Lee during their divorce and asks him to have lunch. He deflects her apology, feeling that he does not deserve it. When she insists that they reconnect and pleads with him not to "just die", Lee is overwhelmed with emotion and has to leave before he breaks down.

Distraught, Lee gets drunk at a bar, picks a fight with strangers, and is knocked out. He wakes up in the living room of Joe's friend George and breaks down in tears. At home, Patrick shows his uncle deference after seeing his battered state and pictures of his deceased children. Lee arranges for George and his wife to adopt Patrick so that he can remain in Manchester while Lee takes a job in Boston. When Patrick asks Lee why he cannot remain in Manchester, Lee says that he "can't beat it".

During a walk after Joe's burial service, Lee tells Patrick he is searching for a residence in Boston with an extra room so Patrick can visit whenever he wants. In the final scene, Lee and Patrick go fishing on Joe's refurbished boat, which Patrick has inherited.

Cast[edit]

Themes[edit]

Manchester by the Sea is a treatment of profound grief from which it is difficult or impossible to recover. In an essay in Cineaste, Colin Fleming writes that "the question Lonergan invites us to ask ourselves is how on earth would we be able to carry on after an event so tragically full of loss and guilt."[5] Speaking to the persistence of grief, Film Comment magazine says that "Lonergan is telling us that Lee's grief cannot be contained or subdued because his past lives on wherever he goes."[6] Remarking on the way flash-backs appear suddenly during the movie, critic Anthony Lane says that Lonergan "proceeds on the assumption that things are hard, some irreparably so, and that it's the job of a film not to smooth them over."[7] He also noted the tragedy is juxtaposed with "the harsh comedy that colors much of the dialogue, and the near-farcical frequency with which things go wrong."[8] Along those same lines, critic Steven Mears called the film "a study of grief and reticence that finds droll humor in those very sources,"[9] and Richard Alleva says the loving but tense relationship between Lee and Patrick "keeps the story nicely balanced between rough hewn comedy and delicate pathos."[10] Explaining his objective, Lonergan said:

I don't like the fact that, nowadays, it feels like it's not permissible to leave something unresolved ... Some people live with their trauma for years. I'm not interested in rubbing people's faces in suffering ... But I don't like this lie that everybody gets over things that easily. Some people can't get over something major that's happened to them at all; why can't they have a movie too?[11]

The film's events take place through the cultural filter of a blue-collar, New England community. John Krasinski and Matt Damon initially approached Lonergan about developing the story in New England.[12] As Lonergan researched the areas surrounding Manchester-by-the-Sea, he sought to include details specific to the area, such as its distance from Quincy, the delayed burial because of the frozen ground in a historical cemetery, and the realities of fishing life.[12] Critic Sam Lansky said the lead character's New England roots make him "disinclined to emote",[13] and Tom Shone said Lonergan's dialog forces "the story's heartbreak to peep from behind these tough, flinty New England exteriors."[14]

Production[edit]

Matt Damon and John Krasinski brainstormed a film about an "emotionally crippled" handyman, and took the idea to Lonergan for his input, thinking Krasinski would star and Damon would direct.[11] Damon had worked with Lonergan on the 2011 film Margaret.[15] Both actors became occupied with other projects while Lonergan worked on the screenplay for three years.[11] After Damon read a rough draft of the script, he insisted Lonergan should direct the project and that Damon would star in it.[11][16] They announced they would collaborate on the project on September 6, 2014, and pre-production began two days later.[15] However, Damon would not have a break in his schedule for another year.[11] In early December 2014, while filming The Finest Hours, Casey Affleck told The Boston Globe he would replace Damon in the lead role.[17] Damon said he "wouldn't give this role up to anybody but Casey Affleck."[11]

Affleck officially replaced Damon on January 5, 2015.[18] On January 9, Michelle Williams was selected to play the lead character's former wife[19] and Kyle Chandler was cast as Affleck's character's older brother on February 24.[20] In April 2015, Lucas Hedges joined the cast of the film.[21] Lonergan has said Hedges' audition was "special" but that he was unsure how the young actor would perform "because his background is so different [from that of the character]. Ultimately he did a beautiful job."[12] It was later revealed Erica McDermott had also been cast.[22] Coming from a theater background, Lonergan had the actors rehearse table read-style for two weeks before filming.[23]

Principal photography began on March 23, 2015, with scenes filmed in the town Manchester-by-the-Sea, Massachusetts,[24] and the North Shore at locations in Beverly, Essex, Gloucester, Swampscott, Lynn, Middleton, Tewksbury, and Salem.[25][26] Filming wrapped on April 30, 2015.[27] In October 2018, Damon said in an interview with The Bill Simmons Podcast Lonergan had originally planned to film a different ending to the film that would have been a retreating drone shot of a flashback of Affleck's and Williams' characters, their children and extended family, on his brother's boat. The scene was determined to be too expensive to film, although Damon said the film's unexpected financial success meant it could have been filmed after all.[28]

Initially, Gigi Pritzker was due to produce and finance the film through her company Odd Lot Entertainment.[15] In March 2015, however, it was reported Kimberly Steward, through her company K Period Media, would produce and finance the film with Damon (through his company Pearl Street Films), Chris Moore (through CMP), Kevin J. Walsh (through his company B Story), and Lauren Beck, along with additional financing from Sierra/Affinity. The executive producers were Josh Godfrey, John Krasinski, Declan Baldwin, and Bill Migliore.[29]

Music[edit]

Lesley Barber was selected to score the film, as she had previously worked on Lonergan's film You Can Count on Me (2000).[30] She developed the first musical themes after reading the script.[31] Once she established the themes, Barber worked with the orchestra to create a sound that emoted the sound of the ocean with "underlying tension" with lightness, for exterior scenes.[30] Early in the scoring process, Barber took inspiration from New England church music from the 1700s, including Calvinist hymns and other music of the Pilgrims and Colonial era, with its emphasis on a cappella vocals.[32] Barber developed the music to complement her understanding of the essence of the film's scenes based on emails and conversations with Lonergan.[30]

To score scenes that reflect Lee's "interior landscape", she sent the music to her daughter Jacoba Barber-Rozema, an opera major,[31] then recorded her singing in her dorm room via Skype.[31][32] Barber said the confined space made for a "perfect sound".[32] Orchestration was later added to the track.[31] For the opening flashback of Lee in happier times, Barber recorded her daughter's vocals in a large, spacious auditorium.[30] Instead of giving Lonergan demos, Barber provided him with more-finished pieces earlier in the editing process to allow the director to have a better sense of the music while editing.[30] The film was cut down after the Sundance screening, requiring Barber to rework and simplify some of the music.[30]

Critic Steven Mears says the film's score "gives form" to the feelings of blue-collar Americans.[9] Bobby Finger, writing for Jezebel, called it "an elegant white noise ... a hypnotic soundtrack to focused thought."[33] Caitlin Warren of Spindle Magazine said the score adds perfectly "to the raw emotion of the film without ever overwhelming it to the point of feeling contrived or cheesy."[34] Film score critic Jonathan Broxton said the music "dwells in the bitterness of regret" and that it has "a captivating, dream-like quality that is ... dramatically appropriate for the film it accompanies."[35]

The use of "Adagio in G minor" to accompany the revelation of Lee's tragedy received mixed reviews. The New Yorker said, "Any piece of music that has been used for Rollerball, Gallipoli, and Flashdance has, by definition, been squeezed dry."[7] Mark Kermode of the BBC said the piece "has been overused so much in popular entertainment that when it turns up, it's distracting."[36] According to Koresky, in the montage, "Lonergan thickly lays on the Handel, Bach, and Albinoni, making this sequence almost surreally operatic in its horror."[6] In an interview, Lonergan said he originally used the piece as a stand-in track while editing and decided to keep it in.[36] The Academy of Motion Picture Arts and Sciences ruled the film's score ineligible for Oscar consideration due to the volume of music from classical composers in the soundtrack. In a statement Barber released to Variety, she said, "While I accept the Academy's decision, I also support my director's decision to use these pieces and I'm also very proud of the substantial contribution that the original score made to the film as well."[32]

Soundtrack[edit]

All music was written by Lesley Barber unless otherwise noted. The orchestra was conducted by James Shearman. Jacoba Barber-Rozema, Barber's daughter, provided additional vocals. The album was recorded and mixed by XXX and edited by Mick Gormley. The album was produced by Barber and Stefan Karrer.[35]

No.TitleWriter(s)PerformerLength
1."Manchester by the Sea Chorale" Jacoba Barber-Rozema2:20
2."Manchester Minimalist Piano and Strings"  2:19
3."Plymouth Chorale" Barber-Rozema, Musica Sacra Chorus and Orchestra[37]1:25
4."Pifa (Pastoral Symphony)" (from Messiah)Georg Friedrich HändelMusica Sacra Orchestra3:00
5."Smoke"  1:53
6."Floating 149" (A Cappella) Barber-Rozema1:53
7."Floating 149" (Strings Reprise)  2:20
8."Sonata for Oboe & Piano, 1st Movement"HändelGerhard Kanzian and Ed Lewis2:25
9."Manchester Minimalist Piano and Strings" (Strings Reprise)  1:04
10."He Shall Feed His Flock Like a Shepherd; Come Unto Him" (from Messiah)HändelMusica Sacra Chorus and Orchestra5:11
11."Manchester Minimalist Piano and Strings" (Variation)  2:19
12."Adagio per Archi E Organo in Sol Minore"Tomaso Albinoni and Remo GiazottoThe London Philharmonic Orchestra8:34
13."Smoke Reprise with Bass and Strings"  1:37
14."I'm Beginning to See the Light"Duke Ellington, Don George, Johnny Hodges, and Harry JamesElla Fitzgerald and The Ink Spots2:44
15."Chérubin"Jules MassenetMunich Radio Orchestra with the choir of the Bavarian State Opera3:01
16."Manchester by the Sea Strings Reprise"  2:19
Total length:44:07

Release[edit]

Manchester by the Sea had its world premiere on January 23, 2016, at the Sundance Film Festival.[38] Shortly afterward, Amazon Studios acquired U.S. distribution rights to the film for $10 million, beating Sony Pictures Classics, Universal Pictures/Focus Features, Netflix, Lionsgate, and Fox Searchlight Pictures (Sony, under its Stage 6 Films banner, and Universal/Focus would later acquire rights to some international territories from Sierra/Affinity).[39][40][41] This was the second-largest disclosed purchase at the Sundance Film Festival after The Birth of a Nation at $17.5 million.[42] Roadside Attractions, of which Lionsgate owns 45%, later became co-distributor of the film with Amazon.[43]

The film was screened at the Telluride Film Festival and the Toronto International Film Festival, both of which took place in September 2016.[44][45][46] The 2016 New York Film Festival, which ran from September 30 to October 16, included Manchester by the Sea in its "main slate" and invited Lonergan to participate in audience question-and-answer sessions after the October 2 and 11 screenings of the film.[47][48] It was also shown at the BFI London Film Festival on October 8, 2016.[49] The film was theatrically released on November 18, 2016.[50]

Home media[edit]

Manchester by the Sea was made available to stream on Amazon and for digital download in the U.S. on February 7, 2017,[51] and on Amazon Prime on May 5 of that year.[52] It was released on DVD and Blu-ray on February 21, 2017.[53] In the UK, the film became available for digital download on May 8, 2017, and on Blu-ray, DVD, and On Demand on May 15 the same year.[54]

Reception[edit]

Box office[edit]

Manchester by the Sea grossed $47.7 million in the United States and Canada, and $31.3 million in other territories, grossing $79 million worldwide against a production budget of $9 million.[2] The film began a limited theatrical release on November 18, 2016, and grossed $256,498 from four theaters that weekend, making for a per-theater average of $64,125. It began a U.S.-wide release on December 16, 2016, opening against Rogue One and Collateral Beauty, grossing $4.2 million, and finishing sixth in terms of revenue at the box office.[55]

Critical response[edit]

Manchester by the Sea received critical acclaim and praise for Lonergan's screenplay and direction, and the performances of Affleck, Hedges, and Williams. After an early screening at the Sundance Film Festival, Rolling Stone called it the "must-see film" of 2016.[11] As more critic reviews were published, Rotten Tomatoes assigned the film an approval rating of 96% based on 357 reviews with an average rating of 8.80/10. According to the website's critical consensus, "Manchester by the Sea delivers affecting drama populated by full-bodied characters, marking another strong step forward for writer-director Kenneth Lonergan."[56] On Metacritic, the film has a weighted average score of 96 out of 100 based on 53 critics—the third highest of the year—indicating "universal acclaim".[57] According to Metacritic data, critics counted the film among the best films of 2016.[58]

The performances of (left to right) Casey Affleck, Lucas Hedges, and Michelle Williams garnered critical acclaim and were nominated for Academy Awards, with Affleck winning.

Giving the film five stars out of five, Phil de Semlyen of Empire called the film "masterfully told and beautifully acted", and favorably compared Affleck's performance to that of Marlon Brando in On the Waterfront, and saying, "there's not much higher praise than that."[59] Variety's Justin Chang said the film is a "beautifully textured, richly enveloping drama" and, while he noted that the film "may be too sprawling a vision for all arthouse tastes," he asserted that "Lonergan's many champions are scarcely the only viewers who will be stirred by this superbly grounded and acted third effort."[60]

Critic Peter Travers said the movie "ranks with the year's very best films" and that "it takes a piece out of you."[61] RogerEbert.com's Matt Zoller Seitz gave the film four stars out of four, stating it is "the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time."[62] Anthony Lane of The New Yorker called the film "carefully constructed, compellingly acted, and often hard to watch."[8]

Entertainment Weekly's Leah Greenblatt said "the exquisitely crafted, emotionally ragged Manchester doesn't just ask for time and effort; it earns it."[63] In a mixed review, Lanre Bakare of The Guardian gave the film three stars out of five, saying the "impact of this impressive drama is suffocated by the silence and suffering of its central character."[64] The film was included on many end-of-year lists, including those of the American Film Institute,[65] Rolling Stone,[66] BBC,[67] The New York Times,[68] Los Angeles Times,[69] and The Washington Post.[70]

The scene that drew the most critical praise depicts the characters Randi and Lee speaking again years after their divorce; Anthony Lane called it the "highlight" of the movie.[7] Tom Shone said of Williams' performance, "if this actress were put on earth to do one thing only, it would be this scene."[14] According to Chang, Williams "has one astonishing scene that rises from the movie like a small aria of heartbreak."[60] Zoller called the scene "a duet of mortification and mercy that stacks up with the best of Mike Leigh (Secrets and Lies)."[62] Affleck said he strove to show restraint while acting the scene, adding, "The challenge was to have all of those feelings and hold it without weeping and wailing and gnashing your teeth. To be there, and not be there."[13]

In 2018, IndieWire writers ranked the script the fifth best American screenplay of the 21st century, with Michael Nordine arguing that "Lonergan's screenplay balances almost every heartbreaking scene with a moment of levity [...]; this proves crucial, as the movie might otherwise have simply been too sad for most people to get through."[71]

Accolades[edit]

Main article: List of accolades received by Manchester by the Sea (film)

Manchester by the Sea received six nominations at the 89th Academy Awards: Best Picture, Best Director, Best Actor (Affleck), Best Supporting Actor (Hedges), Best Supporting Actress (Williams) and Best Original Screenplay,[72] winning two for Best Original Screenplay for Lonergan and Best Actor for Affleck. It was the first film released by a digital streaming service to be nominated for Best Picture.[73] Affleck won the Golden Globe Award for Best Actor – Motion Picture Drama, and the film was nominated for four additional awards at the 74th ceremony: Best Picture, Best Director, Best Supporting Actress (for Williams) and Best Screenplay.[74]

The film received six nominations at the 70th British Academy Film Awards: Best Film, Best Direction, Best Editing, Best Actor in a Leading Role (Affleck), Best Actress in a Supporting Role (Williams), and Best Original Screenplay (Lonergan).[75] Affleck won Best Actor in a Leading Role and Lonergan won Best Original Screenplay.[76] The National Board of Review listed Manchester by the Sea as its top film of 2016.[77]

Notes[edit]

  1. ^ Credited as Ben O'Brien

References[edit]

  1. ^ "Manchester by the Sea (15)". British Board of Film Classification. November 2, 2016. Archived from the original on November 4, 2016. Retrieved November 2, 2016.
  2. ^ Jump up to:a b c "Manchester by the Sea (2016)". Box Office Mojo. Archived from the original on July 21, 2018. Retrieved July 22, 2018.
  3. ^ "Hollywood Reporter Critics Pick the 50 Best Films of the 21st Century (So Far)". The Hollywood Reporter. April 6, 2023. Retrieved August 4, 2023.
  4. ^ "The 100 best films of the 21st century (so far)". Time Out Worldwide. February 6, 2022. Retrieved August 4, 2023.
  5. ^ Fleming, Colin (Spring 2017), "Manchester by the Sea." Cineaste. 42 (2):51–53
  6. ^ Jump up to:a b Koresky, Michael (November/December 2016), "The World is Full of Weeping." Film Comment. 52 (6):48–52
  7. ^ Jump up to:a b c Lane, Anthony (November 28, 2016), "Fighting Demons." The New Yorker. 92 (39):96–97
  8. ^ Jump up to:a b Lane, Anthony (January 30, 2017), "Manchester by the Sea." The New Yorker. 92 (47):9–10
  9. ^ Jump up to:a b Mears, Steven (January/February 2017), "Manchester by the Sea." Film Comment. 53 (1):47–49
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External links[edit]

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맨체스터 바이 더 씨 [Manchester by The Sea]
sklara (66)in #jjm • 5 years ago (edited)
맨체스터 바이 더 씨.jpg
source

보스턴에서 아파트 관리인으로 일하며 혼자 사는 '리'(케이시 애플렉)는 어느 날 형 '조'(카일 챈들러)가 심부전으로 위독하다는 소식을 듣고 고향 맨체스터로 향한다.

하지만 결국 형의 임종을 지키지 못하고, 자신이 조카 '패트릭'(루카스 헤지스)의 후견인으로 지목됐다는 사실을 알게 된다.

혼란에 빠진 '리'는 조카와 함께 보스턴으로 돌아가려 하지만 '패트릭'은 떠날 수 없다며 강하게 반대한다. 한편 전 부인 '랜디'(미셸 윌리엄스)에게서 연락이 오고, 잊었던 과거의 기억이 하나 둘 떠오르게 되는데...



맨체스터는 영국이 아닌 미국의 보스턴 근교에 실제 존재하는 작은 어촌마을이라고 한다.
영화는 어쩌면 너무도 잔잔하게 이 작은 마을에서 일어나는 주인공 리와 그 주변 인물들의 일상, 갈등과 화해를 이야기 한다.

술 마시고 욱하면 주먹질을 해대고 세상으로부터 고립되어 살아 가고 있는 것 같은 주인공의 어둡고 부정적인 삶이 처음엔 쉽게 이해되지 않았다. 하지만 곧 그의 인생을 한 순간에 바꿔버렸던 과거의 사건이 밝혀지는데,

다시 찾아 온 고향, 수군거리는 이웃들, 과거의 인물들과의 재회, 형의 죽음과 그에게 남겨진 조카

현재와 과거를 넘나드는 전개에 초반엔 자칫 집중하기 어려울 수도 있겠으나 뛰어난 스토리 전개로 관객은 자연스럽게 영화에 몰입하게 되고 그의 깊은 상실감에 공감하게 된다.

한 순간의 실수로 모든 것을 잃고 평생 씻을 수 없는 죄책감과 괴로움으로 세상과 거의 단절된 채 살아가고 있는 주인공, 하지만 슬픔이 너무 크면 눈물조차 흐르지 않듯 너무 큰 상실감에 힘들다고 외칠 수도 없어 오히려 덤덤하게 일상의 일부로 받아들이는 모습에 그의 아픔이 더 묵직하고 처절하게 다가온다.

때론 책임감이 삶을 지탱할 이유가 될 수 있기에, 영화가 끝날 무렵 그가 슬픔과 절망을 어느 정도 극복했기를, 아버지를 잃은 조카와 서로의 슬픔을 보듬으며 그의 마음에도 어느 정도의 평화가 찾아오기를 기대해보지만 영화는 끝까지 관객의 기대에 친절하게 부응해 주지 않는다.

자칫 답답하게 느껴질 수도 있는 엔딩이지만 영화를 통해 관객이 얻는 것은 어쩌면 인간에 대한 이해인 듯 하다.
평생 용서받을 수 없는 순간의 실수를 어떤 이는 비난하고 어떤 이는 용서하며 어떤 이는 용서받기조차 버거워 묵묵하게 감내한다. 내가 그 상황에 닥쳐보지 않고서는 결코 100% 이해할 수 없는 타인의 삶은 또한 우리 각자의 삶이기도 하지 않을까..

맷 데이먼이 제작에 참여하여 화제가 되기도 했다는 이 영화는 뛰어난 스토리로 아카테미 각본상과 남자 주인공 역의 케이시 애플렉에게 남우 주연상을 안겨주었다

영상미와 디테일한 연출도 훌륭하고 조연들의 연기도 모두 빛났지만 주인공 리로 완벽하게 빙의한 케이시 애플렉의 섬세한 감정 연기는 아주 오랫동안 기억될 명연기다. 그의 연기를 보는 것 만으로 이 영화는 충분히 볼만한 가치가 있는 것 같다.

※ The following part is needed to put filled in and added to your text, as otherwise it will not be included later on phase II on Triple A.
※ 리뷰 하단에 다음 두가지 항목 포함 필수 (미포함 시 차후 자체사이트에 반영 안됨)

Movie URL: https://ww

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