Tuesday, June 29, 2021

Makarrata: the Aboriginal healing process we should all know about | SBS Voices

Makarrata: the Aboriginal healing process we should all know about | SBS Voices

9 JUL 2019 - 11:22AM
Makarrata: The Aboriginal healing process we should all know about



The March for Makarrata to parliament house in Sydney. (AAP)







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In Aboriginal culture, healing after a conflict can only begin with a process of truth-telling. This is what Makarrata is about.
By
Victoria Grieve-Williams

4 JUL 2019 - 1:47 PM UPDATED 9 JUL 2019 - 11:22 AM




In Aboriginal culture, healing after a conflict begins with a process of truth-telling. The Yolngu Matha term for this is Makarrata -- a peacemaking process. In Aboriginal ways of being, recognition of wrongs of the past sparks greater understanding on both sides of the conflict. From this, we can develop a resolution, and a coming together of the parties involved in peace.

As we celebrate NAIDOC week this year, the Morrison government has a unique opportunity to make history by dealing with our troubled history. The time is ripe to address Australia’s problematic past between settler colonials and the Aboriginal peoples through the process of Makarrata.

When we speak of Makarrata, what we’re talking about is a process that ultimately allows the restitution of wellbeing and happiness. The kind of healing that addresses the deep wounds created by unresolved colonial history. And we begin by acknowledging that this isn’t just an ‘Aboriginal problem’ but a shared scar that’s worn by the nation as a whole.

The progress so far


The recent appointment of Ken Wyatt as our first Minister for Indigenous Affairs has been a step towards the right direction. His mother is a member of the Stolen Generation so he knows firsthand the impact of history. Wyatt is also a steady and productive force who commands respect across many groups. He has a knowledge of customary law and the power it can wield to restore wellbeing. He is also proactive about meeting with Aboriginal cultural leaders.

Wyatt’s leadership could show that peacemaking practices can be powerful. The call for peacemaking is not new. For decades, there has been an official call for a Makarrata, most recently in the Uluru Statement From The Heart.

“Makarrata is the culmination of our agenda: the coming together after a struggle,” says the 2017 Uluru statement, “It captures our aspirations for a fair and truthful relationship with the people of Australia and a better future for our children based on justice and self-determination.”

Indeed, it has been clear to the First People that this customary Aboriginal way of ensuring the differences and wrongs of the past are addressed appropriately has been way overdue.

The bias of ‘history’


History as we know it is a concept developed out of the West or the Global North. It’s often told through the lens of a colonial past and has evolved as a means to record the deeds of great white men. In this sense, western history serves a function to legitimise the building of nation states.

In this limited, inherently biased approach, incidences of murder, rape and other genocidal acts were often covered up or kept secret. They are minimised by the fact that the current nation-state was born of them. In some cases, these acts of cruelty and genocide are erroneously seen as ‘necessary’ and best forgotten.

This is not to say that there are only such biased accounts of history in Australia. The institution of history in Australia is marked by the large number of historians who have championed the Aboriginal case for a just and proper settlement over recent decades. They have worked on revising earlier inaccuracies, using documents and oral testimony to provide alternate histories that highlight the impact of colonial racist violence and the impacts of racial segregation.

But it can be argued that they are still working within the parameters of western history-making until they can incorporate Aboriginal ways of dealing with history. And we cannot hope for foundational changes to our relationship to the settler colonial state until we properly integrate Aboriginal theory, ethics, values and methodologies into this. This is what “Aboriginal history” is truly about.








Uluru Statement of the Heart
Source: Facebook

The need for Aboriginal history


Aboriginal philosophy incorporates a very different theory and approach to history. For Aboriginal people, any difficult history is not forgotten until it is dealt with -- and then it is truly left behind.

History is with us, it impacts on our lives now, until it is addressed. And we will not belong to the nation state until our history is incorporated into the narrative of the nation and resolved.

Culturally, Aboriginal people have engaged in history in a functional way, in that it has not been used as a celebratory or foundational narrative. Stories are retained to ensure historical wrongs are addressed and when they are, they are no longer told. People with authority and knowledge lead the resolution of disputes, the wrongs are righted, including through ceremony, and then everyone can move on. The business of the past is then declared to be finished.

Aboriginal approaches to time and history are instructive. In this way, the methodology of the Makarrata is a way to address the injuries of the past – in order for all parties to move on.

Makarrata is about self-determination


The process of Makarrata needs to be led by Aboriginal cultural leadership across the nation, by those who understand the true spirit of this process that can go by many other names. It is important that the whole difficult history be revealed, that every Aboriginal person has the chance to speak to a Makarrata commissioner, whether in public or in private, be heard and with permission be recorded for later reference.

Aboriginal commissioners need to oversee the ways in which this information is managed. The end product should allow those events in which Aboriginal people were truly victims to be balanced by the development of other stories, of friendships, co-operation and understanding into the future. Self-determination is key.

Makarrata success stories

An example of this process is demonstrated in the documentary Dhakiyarr vs. The King whereby the Yolngu descendants of Dhakiyarr who disappeared, presumed dead, (on his way home from Darwin) retold and reinvestigated the events leading up to his death. They included the family of the policemen who he had killed, the Court House in Darwin where he had been denied justice. They told the story in full, incorporating the descendants of the people involved and performed ceremony at specific important locations, to acknowledge the true history and put it to rest.

The documentary has since been shown around the world to critical acclaim. It continues to be a powerful example of the way Aboriginal people can deal with the wrongs of history and allow everyone to move on with increased wellbeing.

Another example is the annual pilgrimage to the site of the Myall Creek Massacre in New England NSW, where Aboriginal and settler colonial Australians come together to acknowledge a very difficult history and put it to rest. This has proven to be a profound experience of resolving the injuries of the past for all who have made the journey.

As an Aboriginal historian, the prospect of using Makarrata to right historical wrongs is exciting -- a once-in-the-lifetime-of-a-nation-opportunity that would potentially lead to greater wellbeing, hope, and most importantly –- true healing.

Victoria Grieve-Williams is a Warraimaay historian and Adjunct Professor, Indigenous Research, RMIT University

National NAIDOC Week runs 7 - 14 July 2019. For information head to the official site. Join the conversation #NAIDOC2019 & #VoiceTreatyTruth


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A step closer to Makarrata
Posted by Jill Gallagher AO on 16 November 2017

Tags: Treaty, VACCHO, recognition, Makarrata, Victorian Government, Uluru Statement from the Heart, Yes vote, marriage equality survey, Australian Parliament, Turnbull Government, Aboriginal Community Assembly, Victorian Aboriginal

The announcement of the Yes vote in the marriage equality survey has given me hope that Australians are also ready for some change when it comes to giving Aboriginal people a formal voice in the Australian Parliament.

We want to reach a Makarrata, which put simply is a treaty, but it means a lot more than that. Makarrata is a complex Yolngu word describing a process of conflict resolution, peacemaking and justice. It’s a philosophy that helped develop and maintain lasting peace among the Yolngu people of north-east Arnhem Land. Reaching a Makarrata is the goal of the Uluru Statement from the Heart, which was agreed in May this year. We can make this happen.

I was proud to be in the delegation that wrote the Uluru Statement. I’m proud to represent my people, and also VACCHO in this important process, and I’m really hoping all Australians will get behind it, despite the Turnbull Government rejecting us in recent weeks.

Back when I was first involved in this process I was a little bit naïve about what “recognition” meant. Initially I was supportive of Aboriginal people being recognised in Australia’s constitution and so proud if that was going to happen. But I didn’t fully understand the ramifications or the non-ramifications of just “recognition”. And then I started listening to another camp so to speak, saying we don’t want to just be recognised, why do we only want to be in a preamble? It does nothing. What are the real outcomes on the ground for us as Aboriginal people? And then I realised true recognition is about having a strong voice for your people in our Parliament, where the big decisions affecting our lives are made.

I don’t want us to just be recognised in Australia’s constitution, I actually want a powerful voice to be able to advocate to the Australian Government what the needs and the aspirations of Aboriginal people in this country are. I believe if we do have a strong voice in Parliament or to Parliament, it will pave the way for a lot of the work VACCHO does around the holistic approach to improving the health and wellbeing outcomes for Aboriginal people. VACCHO has this holistic approach because we realise you can’t just deal with health without dealing with housing and other aspects of life. If you haven’t got a roof over your head you can’t be all that healthy. If you haven’t got a job, that is going to have a negative impact on your health. The social determinants of health are just as important to address in a holistic way and we advocate to Government for that. Having a strong, effective voice in Parliament through Makarrata will help us achieve so much more, to achieve better health and wellbeing outcomes for our people.

That’s why it’s so deadly to see what the Victorian Government is doing towards negotiating Treaty here. Just yesterday I spoke at the Aboriginal Community Assembly. The Victorian Government are taking our people seriously with this Treaty work. That’s going to set a roadmap towards improving the wellbeing of our communities. Our mob, as we well know, has been disempowered for many, many generations and with disempowerment comes distress, comes a lack of resilience. Our self-esteem has suffered and there have been so many social, emotional and wellbeing issues in our community as a result of that disempowerment. I believe if we are successful at the national level, and also at the state level, it will make a humongous difference in the wellbeing of our people across this country. The Uluru Statement and the establishment of a Treaty body in Victoria will be complementary, they’re both about truth telling and healing the past for a better future for Aboriginal people.

We need all Victorians, all Australians, to support us on the Uluru Statement from the Heart and our work towards Treaty in our State. A recent poll showed the majority of Australians support us having an Aboriginal voice to Parliament, the same sort of numbers that supported marriage equality. Let’s hope we don’t have to waste another $120 million asking Australians about Makarrata and the Turnbull Government will listen to what the Aboriginal people want. They did ask us, after all. It’s time for them to listen to our mob.



Sunday, June 27, 2021

Indian Horse: Wagamese, Richard: Amazon.com.au: Books

Indian Horse: Wagamese, Richard: Amazon.com.au: Books


Indian Horse Paperback – 10 April 2018
by Richard Wagamese  (Author)
4.7 out of 5 stars    845 ratings
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Named a Best Novel of the Decade by Literary Hub
Saul Indian Horse is a child when his family retreats into the woods. Among the lakes and the cedars, they attempt to reconnect with half-forgotten traditions and hide from the authorities who have been kidnapping Ojibway youth. But when winter approaches, Saul loses everything: his brother, his parents, his beloved grandmother--and then his home itself.

Alone in the world and placed in a horrific boarding school, Saul is surrounded by violence and cruelty. At the urging of a priest, he finds a tentative salvation in hockey. Rising at dawn to practice alone, Saul proves determined and undeniably gifted. His intuition and vision are unmatched. His speed is remarkable. Together they open doors for him: away from the school, into an all-Ojibway amateur circuit, and finally within grasp of a professional career. Yet as Saul's victories mount, so do the indignities and the taunts, the racism and the hatred--the harshness of a world that will never welcome him, tied inexorably to the sport he loves.

Spare and compact yet undeniably rich, Indian Horse is at once a heartbreaking account of a dark chapter in our history and a moving coming-of-age story.




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Review
"Richard Wagamese is a born storyteller."--Louise Erdrich
Many indigenous authors have portrayed the horrific conditions endured by Native children in boarding schools in both the US and Canada throughout much of the twentieth century. But perhaps no author has written a novel with such raw, visceral emotion about the lifelong damage resulting from this institutionalization as Wagamese . . . Wagamese's heart-wrenching tale was made into an award-winning movie, and it tells a story that will long haunt all readers.--Booklist (starred review)

"This flawless novel is an epic tragedy graced with tendrils of hope. . . . We are indebted to [Wagamese] for all he wrote, and especially for this book, a powerful fictional illumination of a Native North American life that echoes so many real ones."--Minneapolis Star Tribune

A wonderful coming-of-age novel . . . When the story's protagonist, Saul Indian Horse, lands in a treatment center after an alcoholic overdose, he's encouraged to draft his life story--and it's an incredible tale. --Outside Magazine

"While Wagamese's fictionalized account is unflinching in its grim history of institutional cruelty, it also witnesses moments of human joy . . . With Indian Horse, Wagamese has sneakily written one of the great works of sport literature, filled with the kind of poetry that can redeem individual lives despite the systems that would see them destroyed."--Literary Hub

"Haunting and masterful . . . In spare, poetic language, Wagamese wrestles with trauma and its fallout, and charts the long, lonely walk to survival."--Publishers Weekly

[A] chillingly beautiful book . . . Wagamese's novel depicts the tragedies of residential schools (although they were more like child labor camps than schools) in the 1960s to '70s through the life of Saul Indian Horse, a young First Nations boy who escapes the horrors of the school through his passion for hockey.--Electric Literature

"From the novel's outset, Indian Horse announces itself as the story of a generation, not merely of a single individual's life. . . . It is the intimacy of Wagamese's telling that transforms the story from an abstract experience to one that lives and breathes."--Fiction Writers Review

Canadian Praise for Indian Horse:

"Indian Horse distills much of what Wagamese has been writing about for his whole career into a clearer and sharper liquor, both more bitter and more moving than he has managed in the past. He is such a master of empathy--of delineating the experience of time passing, of lessons being learned, of tragedies being endured--that what Saul discovers becomes something the reader learns, as well, shocking and alien, valuable and true."--Jane Smiley

"An unforgettable work of art . . . Indian Horse finds the granite solidity of Wagamese's prose polished to a lustrous sheen; brisk, brief, sharp chapters propel the reader forward. He seamlessly braids together his two traditions: English literary and aboriginal oral. So audible is Saul's voice, that I heard him stop speaking whenever I closed the book."--National Post

"One of the rarest sorts of books: a novel which is both important and a heart-in-throat pleasure."--Edmonton Journal

"It is as a story of reconciliation that this novel reveals Wagamese's masterful subtlety. . . . In a single image, Wagamese complicates in blinding ways the entire narrative; in a single page, Indian Horse deepens from an enjoyable read to a gripping critique of Canada."--The Walrus

"This book is so many things; it is a mystical tale; it is an ode to the good old hockey game and its power to lift players above their situations; it is a story of a system that fails and fails its children in horrifying ways; it is a story of healing. . . . A hopeful and beautiful book."--Guelph Mercury

Praise for Medicine Walk:

"Less written than painstakingly etched into something more permanent than paper . . . Richard Wagamese bides his time, never rushing, calibrating each word so carefully that he never seems to waste a shot. . . . Though death saturates these pages, not a word here is lugubrious. Though revelations abound, there are no cheap surprises. . . . There's nothing plain about this plain-spoken book."--New York Times

"A slim, beautiful, heart-wrenching novel . . . Richard Wagamese is a marvelous writer, and this is a treasure of a book."--Minneapolis Star Tribune

"Wagamese has penned a complex, rugged, and moving father-son novel. His muscular prose and spare tone complement this gem of a narrative."--Publishers Weekly (starred review)

"Richard Wagamese is a keen observer, sketching places or people elegantly, economically, all while gracefully employing literary insight to deftly dissect blood ties lingering in fractured families. . . . A powerful novel of hard men in hard country, reminiscent of Jim Harrison's Legends of the Fall."--Kirkus

"A deeply felt and profoundly moving novel, written in the kind of sure, clear prose that brings to mind the work of the great North American masters like Steinbeck. But Wagamese's voice and vision are also completely his own, as is the important and powerful story he has to tell."--Jane Urquhart

About the Author
Richard Wagamese (1955-2017) was one of Canada's foremost writers, and one of the leading indigenous writers in North America. He was the author of several acclaimed memoirs and more than a dozen novels. He won numerous awards and honors for his writing, including the People's Choice winner of the national Canada Reads competition in 2013, for Indian Horse. Page 1 of 11Page 1 of 11
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Tim Curnow
4.0 out of 5 stars A wonderful and significant novel
Reviewed in the United Kingdom on 21 June 2013
Verified Purchase
A wonderful writer. Very spare prose style which says so much with so little. The story of Canada's First Nation people and their history of abuse by state and church and the continuing racism in Canadian society. Stolen generations of First Nation people is almost identical to the story of Australia's aborigines. The author is a First Nation Canadian novelsit of some disitnction.
Only downside was the retail price of the book was extraordinarily high for such a modest size paperback
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rosemurray
5.0 out of 5 stars Richard Wagamese's "Indian Horse", the book that changed my life.
Reviewed in Canada on 24 October 2015
Verified Purchase
I read this book, from cover to cover, over 2 days, two days before I coincidentally met the author, Richard Wagamese, who has since become a dear friend. This book changed my life. My partner is a survivor of the residential school system; I knew little of his experience, until I read this book, and we were able to discuss the similarities to his experience, which deepened our love and understanding of each other. It inspired me to be an even greater activist and fighter for First Nations rights, causes and issues. This could stand as my most favourite book of all time. Should be must-read for secondary school students. It speaks to the recommendations of the Truth and Reconcilliation recommendations of May 2015. A cherished tome, if ever there was one.
16 people found this helpful
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Clarice
5.0 out of 5 stars Bought for a class, will be re-reading
Reviewed in Canada on 11 June 2020
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I originally bought this for one of my university courses as part of our curriculum. The story is so heartfelt and raw, filled to the brim with achingly realistic emotion. Wagamese does not hold back in his descriptions of the (very real) atrocities and abuses that were committed in the residential schools of Canada. The journey of Saul and his descriptions of his own trauma makes the reader sympathize with the situation that would otherwise be difficult to understand for someone who has never experienced that degree of trauma. The writing style is very easy and pleasant to read, despite the subject material not being very pleasant. Wagamese was an amazing writer, and because of that, I will be returning to this book, even though my course is finished. I recommend this novel to anyone who wants to learn about this stain on Canadian history through the eyes of someone who experienced it, and to anyone who wants a good cry and a good read.
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Amazon Customer
5.0 out of 5 stars A storey that needed telling
Reviewed in Canada on 18 January 2019
Verified Purchase
Great book, this is a sad storey it's a guide to what the settler nations genocide against the first nations has created.it brings a tear to my eyes,to think that we as a nation have not yet dealt with what our fore father's did in the name of the church., King and country.we use frases like in God we trust, but carry a sword in the other hand ,dealing death, illnesses etc.in the last 150 years we have learned nothing about treating our fellow beings with the respect they deserve.the sovereign nations they are.
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pained
5.0 out of 5 stars Indian Horse
Reviewed in Canada on 6 February 2021
Verified Purchase
Very good.Liked hearing the truths out the schools. I am Catholic, I never take people of "authority" at face value. I am deeply sorry for the children that were so abused,.mistreated, brutalized, and suffered into their adulthood with the scars in their spirit not only their physical scars. I hope someday we all realize we are all of the same creator. It was not only the Native Indian that suffered these abuses, it has been throughout the world and throughout the beginning of time, taking advantage.of.those weaker, smaller, younger,poorer in economics and of spirit.

Indian Horse (film) - Wikipedia

Indian Horse (film) - Wikipedia

Indian Horse (film)

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Indian Horse
Indian Horse.png
Theatrical release poster
Directed byStephen Campanelli
Produced byClint Eastwood (exec)
Paula Devonshire
Trish Dolman
Christine Haebler
Written byDennis Foon
Based onIndian Horse
by Richard Wagamese
StarringSladen Peltier
Forrest Goodluck
Ajuawak Kapashesit
Edna Manitowabi
Michael Murphy
Michiel Huisman
Music byJesse Zubot
CinematographyYves Bélanger
Edited byJamie Alain
Geoff Ashenhurst
Justin Li
Production
companies
Devonshire Productions
Screen Siren Pictures
Distributed by
Release date
  • September 15, 2017 (TIFF)
Running time
100 minutes
CountryCanada
LanguagesEnglish
Ojibwe
Budget$8 million
Box office$2 million[1]

Indian Horse is a 2017 Canadian drama film adaptation of Ojibwe author Richard Wagamese's 2012 novel of the same name. Directed by Stephen S. Campanelli and written by Dennis Foon, it premiered at the 2017 Toronto International Film Festival and received a general theatrical release in 2018.[2]

The film centres on Saul Indian Horse, a young Canadian First Nations boy who survives the Canada's Indian residential school system to become a star ice hockey player.[3][4][5] The film stars Sladen Peltier as Saul at age 6, Forrest Goodluck as Saul at age 15, and Ajuawak Kapashesit as Saul at age 22; along with supporting roles by Edna Manitowabi, Evan AdamsMichiel HuismanMichael Murphy, and Martin Donovan.[2]

Production[edit source]

The film is an adaptation of the 2012 novel Indian Horse, written by Ojibwe author Richard Wagamese.[2]

It was originally slated for production as a television film to air on Super Channel,[6] but instead premiered as a theatrical film after Super Channel filed for bankruptcy in 2016. The film was shot primarily in Sudbury and PeterboroughOntario.[7]

Minor controversy erupted over the casting of Will Strongheart in the supporting role of Virgil in the film due to the actor's history of criminal domestic violence. Strongheart has attributed his past actions to problems with drugs and alcohol, stating that he regrets such actions, and has reformed since attaining sobriety in 2010.[8]

Plot[edit source]

The Indian Horse family, including six-year-old Saul and his older brother, retreat in canoes deep into the wild to avoid the authorities after Saul's older brother is left seriously ill by his time in an Indian residential school. Saul resolves never to go to a residential school, but his parents, converted to Christianity, are determined their eldest son will go to heaven. When the boy dies, they take him away to be blessed by a priest after he dies from his illness, leaving Saul with his grandmother deep in the woods. The parents don’t return.

Saul and his grandmother stay and camp, but once cold weather starts, his grandmother decides they must continue their trek towards their ancestral lands. After their canoe capsizes, they must huddle to stay warm at night; they continue their journey on foot through snow. When his grandmother dies, Saul is discovered by the authorities and forcibly moved to a residential school. There, he meets a boy named Lonnie, who cannot speak English. The top official, Father Quinney, and his nun deem Lonnie an unsuitable name and call him Aaron, and forbid the use of the boys' Ojibwe language, beating Lonnie when he cannot comply.

In the school, Saul witnesses the nuns and instructors abuse the children, and struggles to survive. One instructor, Father Gaston Leboutilier, seems to want to change the school. He convinces Father Quinney to allow a new outdoor activity, ice hockey. Saul does not meet the age requirement to play, but he convinces Father Leboutilier to give him the job of maintaining the rink in the early morning, which allows him to spend time on the ice. From watching televised hockey games and practicing in the mornings, Saul also begins learning techniques. When one of the school's players is injured, Saul steps forward as a substitute and astounds Father Leboutilier with his talent. Saul declines to join Lonnie's escape attempt, as Saul was looking forward to playing; Lonnie is recaptured and punished.

Saul shows remarkable hockey skills on the school team. When he becomes a teen, the school allows Saul to leave and move into a foster home with an Indigenous family in a mining town, where he can further pursue hockey. Saul joins an all-Indigenous team called the Moose, who travel to games between Indian reserves, and receives the jersey number 13, "for luck". Winning a key game, Saul is treated as a star player in Hockey Night in Canada style, but the team faces racial discrimination and beatings afterwards in a pub.

Saul attracts the notice of the Toronto Monarchs, a feeder team for the Toronto Maple Leafs, but does not want to leave his friends in the Moose. His team insists he take the offer, and he reluctantly joins the Monarchs. There, he keeps his number 13, which no one else wants due to triskaidekaphobia. Initially excelling, he is nevertheless put off by a racist caricature of him in the newspaper. On the ice, Saul becomes the target of racist slurs from opponents and teammates alike, while the audience throws toy Indian figures onto the ice. Pushed into violence by many fouls, he is confined to the penalty box. He is stunned when Father Leboutilier appears one night, professing pride in where hockey has taken Saul, and admitting the abuses in the school were wrong. Father Leboutilier tells Saul that the church is sending him to work in Africa. Leboutilier's appearance causes Saul to have flashbacks to the abuses committed at the school, and he leaves the team.

Taking odd low-level jobs, he drifts from place to place between 1979 and 1989. He sees Lonnie in an alley, drinking liquor. Saul drinks a lot and develops alcoholism. Facing serious health issues after severe damage to his liver, Saul is accepted by the Indigenous rehabilitation centre Rising Dawn. The group therapy leader, seeing how sad and withdrawn Saul is, encourages him to confront the root of his suffering. Saul travels back to the now closed school, where it is revealed that he had been sexually molested by Father Leboutilier. He makes a pilgrimage by canoe back to his ancestral lands, and then returns to his foster family, where he is happily welcomed by his foster family and former Moose teammates.

Cast[edit source]

  • Sladen Peltier as Saul Indian Horse (age 6)
  • Forrest Goodluck as Saul Indian Horse (age 15)
  • Ajuawak Kapashesit as Saul Indian Horse (age 22)
  • Martin Donovan as Jack Lanahan
  • Edna Manitowabi as Naomi
  • Michael Lawenchuk as Fred Kelly
  • Will Strongheart as Virgil
  • Tristen Marty-Pahtaykan as Buddy Blackwolf
  • Vance Banzo as Ernie Jack
  • Michael Murphy as Father Quinney
  • Michiel Huisman as Father Gaston

Reception[edit source]

Released to average reviews, Indian Horse was a box-office bomb, garnering only $1.69 million on an $8 million budget. Nonetheless, Indian Horse was the highest-grossing English Canadian film of 2018.[9]

Accolades[10][11]
YearCeremonyAward (Category)Recipient(s)Result
201736th Vancouver International Film Festival[12]Super Channel People's Choice AwardWinner
Cinéfest SudburyBest Canadian FilmNominated
Best Feature FilmNominated
Directors Guild of Canada[13]DGC Discovery AwardStephen CampanelliNominated
Edmonton International Film FestivalAudience Award (Audience Choice)Winner
Calgary International Film FestivalAudience Award (Best Narrative Feature)Winner
Kamloops Film FestivalAudience Award (Narrative Feature)Winner
Most Popular Film (Narrative Feature)Winner
2018Festival du Film Canadien de DieppeKiwanis Award 2018Winner
Prix du Jury jeunes
Prix du public TV5Monde
2018Directors Guild of CanadaDGC Craft Award (Outstanding Achievement in Production Design - Feature Film)Oleg M. SavytskiNominated
Victoria Film FestivalAudience Favourite Feature (Best Feature Film)Winner
San Diego International Film Festival 2018[14]Kumeyaay Eagle Award (Best Native American Film)Winner
6th Canadian Screen AwardsBest Supporting ActorSladen PeltierNominated (lost to Ethan Hawke in Maudie)
Available Light Film FestivalAudience Choice (Best Canadian Fiction)Winner
Leo AwardsBest Visual Effects in a Motion PictureErik T. JensenWinner
Documentary Program or Series: Best Overall SoundBill Sheppard and Dean Giammarco (re-recording mixers), Patrick Haskill (sound designer), Gord Hillier (dialogue editor), Maureen Murphy (foley artist), and Gordon Sproule (mix technician)Winner
Best Sound in a Motion PicturePatrick HaskillWinner
Best Picture Editing in a Motion PictureJamie Alain and Geoff AshenhurstNominated
Best Musical Score in a Motion PictureJesse ZubotNominated
Best Screenwriting in a Motion PictureDennis FoonNominated
Best Direction in a Motion PictureStephen CampanelliNominated
2019CAFTCAD AwardsBest Costume Design in Film PeriodAline Gilmore (costume designer), Amanda Lee Street, Zoe Koke, Bonnie Brown, Natalie Ellis, Marcella Lepore, Joanna Syrokomla, Rosie Fex, Alisha Robinson, Valérie Delacroix, Francine Leboeuf, Julie Sauriol, Vanessa Young, and Charlene Chuck SeniukNominated
2020SOCAN AwardsAchievement in Feature Film MusicJesse ZubotWinner

Critical response[edit source]

On review aggregator Rotten Tomatoes, the film has an approval rating of 79%, based on reviews from 14 critics, with an average rating of 5.90/10.[15]

Boyd van Hoeij of The Hollywood Reporter called it "Important but not very nuanced."[16]

References[edit source]

  1. ^ "Indian Horse (2018)"Box Office Mojo. Retrieved 2019-10-04.
  2. Jump up to:a b c Takeuchi, Craig (August 23, 2017). "Film adaptation of Richard Wagamese's novel Indian Horse to screen at TIFF 2017"The Georgia Straight. Vancouver Free Press. Retrieved April 12, 2018.
  3. ^ Peebles, Frank (February 2, 2017). "Indian Horse head to screen with local talent"Prince George CitizenGlacier Media. Retrieved April 12, 2018.
  4. ^ "About the Film"Indian Horse. Retrieved 25 March 2019.
  5. ^ De Vore, Alex (February 19, 2019). "'Indian Horse' Review"Santa Fe Reporter. Retrieved February 4, 2020.
  6. ^ "Super Channel Announces Projects Funded for Development"Broadcaster. Annex Business Media. September 14, 2015. Retrieved April 12, 2018.
  7. ^ Reid, Regan (November 25, 2016). "Production underway on Indian Horse"Playback. Brunico Communications. Retrieved April 12, 2018.
  8. ^ Bellrichard, Chantelle. "Actor's history of domestic violence brought to light as Indian Horse opens in theatres across Canada"CBC News. April 15, 2018.
  9. ^ "2018′s top-grossing Canadian films, box office"Playback. January 3, 2018. Retrieved January 4, 2018.
  10. ^ Awards for Indian Horse at IMDb
  11. ^ "Indian Horse Feature Film"www.indianhorse.ca. Retrieved 2021-06-01.
  12. ^ "Indian Horse Wins Coveted VIFF Super Channel People's Choice Award"33rd Vancouver International Film Festival(Press release). Greater Vancouver International Film Festival Society. 13 October 2017. Retrieved 15 October 2017.
  13. ^ Barry Hertz, "Directors Guild of Canada reveals long list for Discovery Award"The Globe and Mail, September 5, 2017.
  14. ^ "Award Winners | San Diego International Film Festival". Retrieved 2020-04-13.
  15. ^ "Indian Horse (2018)"Rotten TomatoesFandango Media. Retrieved Jan 1, 2021.
  16. ^ Boyd (17 September 2017). "'Indian Horse' Review"The Hollywood Reporter.

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